Tag Archives: sheck wes

The Top Five Albums of 2018 – Nikhil’s List

31 Dec

There’s been a lot of great music in this year, from sources both expected and previously unknown. It took quite some effort to bring the list down to just five, but these are the five that we think you should definitely listen to when ringing out the new year.

5. Chris – Christine and the Queens

Musically, Chris is a throwback. This album sounds like nothing as much as an escapee from the pop / R&B charts of the 80s and a very good one at that. It’s upbeat music with lots of interesting little quirks. It is not just effortless, but actively fun, to flow with this album and it’s embedded with myriad little flourishes that delight.

What truly elevates it though is the modernity it brings. While the structure is that of Michael and Madonna, the album is clearly something of 2018, both musically and, more strongly, lyrically. Héloïse Létissier’s alter-ego Chris explores the edges of modern femininity with intelligence and complexity. The character is strong and sensual but vulnerable and human. She’s a full person and she makes this one of the most vivid albums of the year.

4. KIDS SEE GHOSTS – KIDS SEE GHOSTS

Kanye has had an interesting year to say the least, but we’re not here to talk about that. We’re just going to talk about the best of the series of seven-song mini-albums. Kids See Ghosts finally brings Kid Cudi out of the rut that his last few albums found him in and gives Kanye the grounding and focus that he’s lacked for a few years now. The two of them have a history of bringing out the best of each other and this album is the culmination of that relationship.

The rock-flavored rap of Cudi has exploded of late, but most of the current practitioners are somehow substantially more emo than Cudi ever was. It’s refreshing to see a return to his more straightforward, guitar-focused strain with this album. His deep voice and the thrum of his humming have always been his greatest strength and Kanye’s flat-edged rapping cuts right through it beautifully.

This album is a spiritual experience and clearly built to be so. “Reborn” evokes the kind of devotional feeling most religious ceremonies can only grasp at. The strength, the upliftment and the humanity of the song and the album as a whole transcends the human and reaches the divine.

Read our full review here.

3. Room 25 – Noname

Room 25  is easily the most unique album of this list and of this year. I’ve never heard anything like Noname’s blend of laid-back rap, jazz and soul before and I doubt that I will again until her next album.

Her technical skill is astounding. She takes rapid, layered lines and delivers them with a staggering nonchalance. She’s even able to mix a little laughter into the lines that she goes through at a blazing pace.

It’s not a loud album. It doesn’t need to beat you over the head with its merits. It just does what it wants to do and it does it extremely well.

Read our full review here.

2. MUDBOY – Sheck Wes

MUDBOY is basically the opposite of Room 25 in every aspect but quality and innovation. Where Room 25 is gentle and intricate and relaxing though, MUDBOY is pounding and blunt and arousing.

This is a rough and uncompromising album. It bludgeons you with ideas and innovations relentlessly. It’s also just really good rap. “Mo Bamba” is not just a viral hit, it’s the most exciting song in rap this year. He doesn’t need any kind of ornateness in this album, it’s just straightforward and strong.

I don’t actually expect to see this start a new trend in rap just because of how unique Sheck Wes’ sound is. Imitating him is not a task for the weak. Instead, we’re going to have to leave it to the man himself to show us what’s next for the most interesting music of the year.

Read our full review here.

1. Both Directions At Once – John Coltrane

Both Directions At Once was the album that I was most excited about this year and it delivered fully on that hope. Recently discovered in a copy given to his first wife, this album found Trane in the middle of that fertile period around My Favorite Things and A Love Supreme. It never got the full release that his classics of the time obtained and so is quite naturally rough, but the brilliance here is undeniable.

His early takes on “Impressions” are fascinating not just for what they would become, but for the music that they were in the moment. It’s clear that this is a transitional period for Trane. He still has some of the pop sound of My Favorite Things here in “Nature Boy” and “Villa”, which may not be as challenging as the rest, but are still excellent.

The Untitled Originals are all intriguing. His variations on 11386 are all thought-provoking in different ways, Take 2 is exploratory and Take 5 is playful. They are elegant and unexpected and so beautiful.

There’s a clear difference between Both Directions At Once and the masterpieces that Trane actually released in those fertile years of the late 50s and early 60s, but that doesn’t change the fact that this is an album of tremendous intelligence and my easy pick for album of the year.

Read our full review here.

@murthynikhil
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Sheck Wes – MUDBOY

3 Dec

This is an absolute monster of an album. First of all, it goes hard. It’s actually punishing to listen to. I wouldn’t call it refreshing, but it is excellent to see an album so unwilling to compromise.

The result is something that is unquestionably unique. MUDBOY barrages you with ideas and inventions. Sheck Wes’ flow is constantly surprising and the production is endlessly clever and somehow he manages all of this genius in the most unpretentious of albums.

The other factor to this uniqueness is how much of Sheck Wes comes through on the album. It’s unquestionably him on every track. Some rappers are defined by their equivocation and by how much of their style feels like it has come from someone else. You cannot confuse a Sheck Wes song with anyone else. He even takes a moment to rap in Wolof in “Jiggy On The Shits” and there’s just so much of the real NBA in here.

On top of everything else, this is just good rap. His flow is strong, if still a little raw and, as I said before, the album just goes hard. “Mo Bamba” is a huge hit and most deservedly so. Those elongated vowels are primal in their resonance. You can’t help but respond to them and then he switches the song on you. It’s just excellent music.

This was a massively hyped debut and it delivers. This is the start of something important and you should be part of it.

@murthynikhil

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