Tag Archives: fontaines dc

Monthly Playlist: May 2020

1 Jun

We are now far enough into the coronavirus pandemic for this new abnormal to percolate deep into our psyches. Artists are starting to contemplate the differences between Life Then and Life Now. For example: Little Simz, who we cover in the list below, wrote and released an entire mixtape in spite of – and in some ways, because of – her lockdown experiences. Equally as interestingly, we as listeners are starting to consume music differently. Perhaps that slick, braggadocio rap track now soundtracks your daily allotted fast-walking time. Perhaps punk rock pumps you up in the precious time between Zoom meetings where you really, actually do your office work. And so on.

The point being: our surroundings are perhaps irrevocably changed, at least for the near future, but music’s importance has not dimmed the slightest. And here are five tracks that were embedded deep into our daily lives this past month.

5. “Noize” by Iyer’s Filter Coffee

Clocking in at #5 this month is a tune from Iyer’s Filter Coffee, a garage rock band from India consisting of Rushil Mishra (guitar / vocals), Pushkar Ravindra (guitar / vocals), Dennis Dey (bass / vocals) and Sachin Iyer (drums). The band lists the Strokes and the Black Keys as musical touch-points, and does well to justify those influences. After a well-received first EP coldturkey last year, the boys are back this month with their first-full length debut, Is This How You Do It.

First single “Noize” from Is This How You Do It really caught our ears. The song could slot perfectly well on Arctic Monkey’s Humbug– sporting an uncannily similar mix of the same hard-hitting riffs and Queens of the Stone Age-style production as that 2009 album. “Noize” shines especially on the segues featuring rolling drums and fuzz-laden guitarwork which stick with you long after the song is over.

4. “Shook” by Tkay Maidza

Tkay Maidza, a Zimbabwean-origin Australian rapper, has been circling fame for some time now. Her 2014 single “Switch Lanes” made it to the prestigious Aussie radio channel Triple J’s Hottest 100 list (at #100, but still) – back when she was just 17. In 2016, her debut album Tkay reached #20 on the Australian charts, and included a track with the one and only Killer Mike. Tkay’s star has been rising for several years now, and all that comes to a head with the slick new track, “Shook”.

On this track, Tkay clearly channels Missy Elliott, from the brash enunciation to the butter-smooth, non-stop flow. She also has some great lines – “Then these frauds tryna fit in, got ’em playin’ tetris” comes particularly to mind. “Shook” puts Tkay high on our list of artists to watch for in 2020.

3. “Enemy” by slowthai

Speaking of slick rap, we have been blessed this month with a new track from the reigning king of British rap, slowthai. In the Before Times (February 2020), slowthai made news for a thorny NME Awards show – featuring thrown glass, thrown insults and ultimately a thrown-out slowthai. The incident resulted in a typical PR apology but slowthai hinted (aggressively) at his true feelings with a tweet that said, simply, “Keep my name out ur dirty mouth”.

Turns out, he wasn’t done reacting – he turned that tweet into a chilling riff on the new “Enemy”. Wonky, slow-burning beats interlock perfectly with that unmistakable slowthai bad-boy swagger – a mix of London attitude and unpredictable emotion on the delivery from line to line.

2. “Might bang, might not” by Little Simz

May 2020 was fantastic for British rap. Some truly memorable new acts are coming out of that rainy island, and one of those is Nigerian-origin, London-bred Little Simz. “Might bang, might not” is a smooth track from her new, economically-titled five-song mixtape Drop 6.

On this track, Little Simz shows off a clear, crisp flow, set over even crisper layers: a three-note bass line, basic beats and a pace set by what sounds like a single, digitized gasp. What’s most notable about this song and the entire mixtape is that Little Simz wrote and mixed the whole thing herself during quarantine lockdown, often battling mental health issues. If you liked this track, you should read about what it took for her to put it out – check it out here.

1. “A Hero’s Death” by Fontaines DC

After a ripper of a year with perhaps 2019’s best debut album, everyone’s favorite Irish punk band Fontaines DC are back with new single “A Hero’s Death”. This song lies somewhere between a poem and a speech, set to unyielding punk. Lead singer Grian Chatten snaps off line after line of advice, toeing the line between schoolmaster and preacher: the couplet “Don’t get stuck in the past, say your favorite things at mass / Tell your mother that you love her and go out of your way for others” is just one example. The song’s central line – “Life ain’t always empty” – especially sticks in your head, almost like a mantra. All in all, “A Hero’s Death” is the rare song that is equal parts hypnotic and raucous.

The song’s accompanying music video features fellow Irishman and prestige television star Aidan Gillen – a sign of the young band’s rising profile. “A Hero’s Death” is the eponymous first single off of their new album, which is scheduled to be released in July – we can’t wait.

Check out these songs and all others from our 2020 Monthly Playlists on our Spotify playlist here.

The Top Five Albums of 2019

31 Dec

Another year of great music closes out today. Read on to see our editor’s picks for the best albums of the year – and be sure to let us know if you agree!

5. Peter Cat Recording Company – Bismillah

Delhi’s own Peter Cat Recording Company has been a mainstay of Indian music for a while now, but it’s with new album Bismillah – and a new record label – that they have started receiving the praise they deserve. Bismillah is, in its way, a slice of Indian life, from the glitz and glamor to the corruption and chaos, set to a dizzying array of musical styles. The album is packed with biting criticism of Modi’s India; the band personally encouraged Delhiites earlier this year to vote for an opposition party, on a music video release note no less. But even beyond the political, Bismillah is truly, wholly Indian.

Read our full review here.

4. slowthai – Nothing Great About Britain

Some art – whether it’s movies, music, and so on – truly captures the ethos of a specific place, time and people to a tee; a zeitgeist, in short. For 2019’s United Kingdom, roiling through a nation-splitting Brexit crisis, that zeitgeist is the debut album from a 25-year-old Northampton rapper, called, succinctly, Nothing Great About Britain. The album is intense, personal, and nearly flawless – a perfect slice-of-life from the wrong side of the tracks of today’s UK.

Read our full review here.

3. Fontaines DC – Dogrel

Dogrel, the debut album from Irish band Fontaines DC, is a middle-finger to those who think rock – and punk rock in particular – is dead. Over a tight, 40-minute runtime, the lads take us through Dublin life like only locals can. There’s anti-British sentiment (“He spits out, ‘Brits out’, only smokes Carrolls”); Irish legends (“With a face like sin and a heart like a James Joyce novel”); tales of cabbie woes – and that’s all on just one song. Dogrel is almost a perfect package from start to finish, and we are heartened to hear that there’s already more incoming from Fontaines DC.

Read our full review here.

2. Foals – Everything Not Saved Will Be Lost Pt 2

2019 may have officially been the Year of the Pig, but for us it was the year of Foals. With two astounding, back-to-back albums over the course of seven months, the Oxford lads knocked it out of the park this year. Although Everything Not Saved Will Be Lost Pt 1 had some great hits – “Exits” being chief among them – Foals really stuck their landing with Everything Not Saved Will Be Lost Pt 2. The entire double album is built around the idea of an apocalypse: the emotions and the music that would come out in that not-so-far-away scenario. One thing’s for sure: when that day comes, we’ll be sure to have this record handy to soundtrack us there.

Read our full review here.

1. Ariana Grande – thank u, next

At this point, Ariana Grande is pretty much pop’s reigning queen. More importantly, she rules for all the right reasons. It’s an understatement to say that she has the voice for it; but she also offers a playful and positive view of the world despite the tragedies in her life. Like any savvy pop star, she of course sells the idea of herself to her legions of fans – the high ponytail, the thigh-high boots, the oversized sweatshirts – but unlike many others, she sells something else too: self-love. Amazingly, that self-love seems to come from within – not manufactured by some marketing execs over at her record label. With thank u, next, Ariana Grande finally takes over as her authentic, spirited, wholesome self – and turns out, a lot of people dig it. Oh, and it helps that the music is just pop gold, too.

Read our full review here.

-NP

Fontaines D.C. – Dogrel

23 Dec

Fontaines D.C. are a punk band from Dublin, Ireland, whose five members met over a common love for Irish poets. On their debut album, Dogrel, every piece of that one-sentence biography rings loud, clear and omnipresent.

Dogrel does for Dublin what the Arctic Monkeys’ debut did for Sheffield: pulling back the curtain for a laddish, working-class look at a beloved hometown. Run through Dogrel from top to bottom, and you almost feel as though you’re right there in Dublin with the boys.  

There are so many great elements to the album that it’s frankly unbelievable to think that this is a debut. The most striking element is, of course, the high-energy instruments. Fontaines D.C. never take more than a few seconds to catch the listener’s attention, whether it’s the driving riffs on “Sha Sha Sha” or the wall-of-bass on “Hurricane Laughter”.

Another stand-out element is singer Grian Chatten’s vocals, blaring out blustering one-liners (“My childhood was small / Oh, but I’m gonna be big!”) in an unmistakable, irreverent and totally unapologetic Irish accent. In many songs, it’s this phrasing itself that takes center-stage. “If you’re a Rock Star, Porn Star, Superstar / Doesn’t matter what you are, get yourself a good car, get outta here,” Chatten proclaims on “Boys in the Better Land” – every word pronounced more authentically Irish than anything you’ve ever heard.

And of course, there’s the matter of the lyrics themselves – slice-of-life, working-class beat poetry about Dublin life. On “Liberty Belle”: “You know I love that violence that you get around here / That kind of ready-steady violence, that violent ‘How do you do?’”. On “Too Real”: “The winter evening settles down, the bruised and beat up open sky, six o’clock / The city in its final dress, and now a gusty shower wraps the grimy scraps”. With Dogrel, the lads tip their hats to Yeats, Joyce et al in talking about their city – all set to cheeky punk rock. (Unsurprisingly, the album takes its name from doggerel, a jagged style of spoken-word poetry.)

Finally – and this is the most impressive one – the greatest part of Dogrel is that it is chock-full of hits from top to bottom. There are honestly decades-old bands that haven’t mastered the ability to combine authenticity, killer tunes and timeless lyrics into one package, and Fontaines D.C. did it on their first try.

Dogrel is perhaps the best debut of the year, and we highly recommend you give it a listen.

Best tracks: “Big”, “Boys in the Better Land”, “Sha Sha Sha”

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