Tag Archives: rap

XXXTentaction – 17

21 Sep

That 17 is an exceptional and fascinating album is undeniable. This year feels like an unprecedented explosion for the more alternate strains of rap and XXXTentacion has build a name for himself on the edge of this movement.

You cannot talk about him without bringing up the testimony of his reported victim. This account is horrific. There’s nothing that can a person can do to make me ignore abuse of this sort and I don’t ask you to ignore it either.

17 though, is an excellent and groundbreaking album. This is probably the first rap album to take more from Nirvana and from Papa Roach than from Pac and Big. It barely spends any time in the traditional lines of rap as it freely strays into R&B and rock. The shifts in genre flow smoothly due to the consistency in tone throughout. The album never shifts from its dark and emotional lane.

It’s the album of a young man in its honesty. XXXTentacion is startlingly open in his accounts of his problems. The unfortunate side of this is how juvenile some of his sentiments appear. His manifesto smacks strongly of high school and his lyrics never really scintillate. Additionally, the rapping is fine, but tends to quickly fall into repetition as in “Everybody Dies In Their Nightmares.” However, his sincerity makes such criticisms feel beside the point. The three syllable statement of depression to open “Depression and Obsession” is beautiful and profound enough to carry the song on its own. Similarly, “Save Me” is captivating every single time.

This is an album that’s going to be very meaningful to a large number of people. You may not be that person right now and that’s okay. You may also feel that you cannot enjoy the work of a musician whose alleged domestic abuse is such an atrocity and that’s a reasonable position too. If it is an album that you can play however, it cannot help but be worth the listen.

@murthynikhil

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Young Thug – Beautiful Thugger Girls

31 Jul

Inimitable, enigmatic and ever exciting, Thugger is the kind of rapper that you should be paying attention to. Beautiful Thugger Girls follows JEFFERY and Barter 6 in coherence and thus approachability. Great guest spots, including Future’s personal cuts in “Relationship”, Quavo in the excellent “You Said” and vintage Snoop bars in the appropriate “Get High” further the album’s broad appeal without compromising anything. Additionally, the album opener “Family Don’t Matter” leans far more on singing than normal for Young Thug, and thus softens the album as a whole. The majority though, is still Thugger yelping and squawking his way though songs as only he can, and the album closer “Take Care” does that as well as he ever has, as does “Tomorrow Til Infinity.”

It is however inescapable that Young Thug is not for everyone, and if you don’t like him, you won’t like this. Personally, I’m always interested when he puts out something new and Beautiful Thugger Girls does not disappoint. You should definitely try it out.

@murthynikhil

2 Chainz – Pretty Girls Like Trap Music

10 Jul

It’s not surprising that the upswing of trap music resulted in 2 Chainz’s best album to date, but it is a little surprising just how good an album it is. It takes full advantage of the A-list cast that 2 Chainz assembled. In particular, Nicki Minaj does a great job on “Real Lies” and the full cast on “It’s a Vibe” build an actually incredible vibe that 2 Chainz himself converts beautifully before Jhene Aiko ends it perfectly. Drake bounces off 2 Chainz excellently in “Big Amount” one moment and Migos team up with him to make the addictive “Blue Cheese” the next. Additionally, there are some standout solo moments sprinkled through the album. The chanted hook of “Rolls Royce Bitch” swaggers well and I personally love the statements on fungibility in “Sleep When You Die.”

There is just a little too much filler for me to recommend this album without reservations however. The rapping is a little pedestrian in places, and there are extended stretches where nothing that interesting happens. However, there is more than enough here to get your teeth into. If you’re looking for some good trap in an age of good trap, this is a great place to start.

@murthynikhil

Kendrick Lamar – DAMN

26 May

At this point, it almost feels like a foregone conclusion that a new Kendrick album will be Album of the Year. The only real question is whether it is another classic. Personally, I don’t think DAMN is quite that strong. Kendrick Lamar has set an impossibly high bar for himself, and I think this is the album that finally fails to hurdle it. I’d be shocked if it there’s another album this year to touch it though.

There are so many strong parts to this album. I love the flow and the submerged beat of “FEEL.” “LOYALTY.” features an excellent Rihanna. The more rap that we get from her, the happier I will be. “FEAR.” is genuine in a way most confessionals aren’t. It’s eye-opening to hear Kendrick’s mother on the verse and to hear him speak about still being worried about money. His storytelling is still the best in the game. Also, these videos are the best of his career. TDE is doing really amazing work right now.

However, there are just more weak points to this album than to its predecessors. “YAH” is honestly weak, despite giving us the excellent nickname of Kung Fu Kenny and while the harmonizing of “LOVE” is interesting, it’s just not that good a song. Every Kendrick album has weak points, but this is the first one that seems to lack a purpose and so these faults feel exaggerrated. GKMC was his breakout and TPAB was breathlessly innovative but DAMN just doesn’t seem to have as strong a raison d’etre and so can’t help but feel a lesser album.

This is still a great album. This will almost certainly be Album of the Year. This is something you should listen to right now. Even if you’ve already had it on repeat all year, you should listen to it again. This is not quite a masterpiece, but is still close enough to deserve reverence. It’s a bold and innovating album that showcases a top-tier rapper at the top of his game. I highly recommend it.

@murthynikhil

Jidenna – The Chief

22 Mar

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Jidenna’s chief gimmick of dressing up makes it tempting to write him off as a one-hit wonder, but that would be unfair. He’s had at least two. Unfortunately, that’s not enough to carry a full album.

He gets points for variety, but not many for imagination. There are some interesting snippets, like learning that he refused Harvard, some decent stunting, and some clever lines, but nothing really compelling anywhere.

As a whole, The Chief is just not really worth a listen. I look forward to hearing Jidenna drop a verse on the occasional Kendrick or Janelle Monae track, but that is probably the most we should hope for from him.

@murthynikhil

Chance The Rapper – Coloring Book

10 Sep

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This is the album that moves Chance from outsider to establishment for me. He’s been doing well for himself, from opening Kanye’s The Life Of Pablo to being the centerpiece of 2015’s Surf and that’s great to see. His raps are so sincere and so joyful that he’s impossible to hate. He’s just a lot of fun to listen to.

Coloring Book takes all of him, adds a number of star collaborators and a ton of gospel and blends it together into an undeniably excellent album. He goes from running his verses with a laid-back Weezy verse over an upbeat vocal backing in “No Problem” to posturing with Thugger and Lil Yachty on “Mixtape” to heartfelt in the slower “Juke Jam” and highly personal tale of growing apart “Same Drugs.” Despite some more forgettable cuts to fill the album out, this is one of the best rap albums of the year and definitely worth a listen.

@murthynikhil

Drake – Views

2 Jul

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This album needed to be great. To Pimp A Butterfly is a landmark album and while The Life of Pablo is not Kanye’s best, it remains a very strong album. Things were looking good for Drake too, he comprehensively demolished Meek Mill in their beef and “Hotline Bling” was not only the best song, but also the best meme of the past year. Views however is the kind of album that collapses an empire.

The biggest issue is how repetitive it is. A cut like “9” could have survived on a different album, but here it just reinforces the faults of the album, namely that it is repetitive and just slightly boring. We’ve heard the petty Drake for far too long and by this point his mix of hurtful and hurting is no longer interesting. He raps “Why you gotta fight with me at Cheesecake/ You know I love to go there” in “Child’s Play”, but really who cares? This act has gotten tiring and his monotonous beats and flow in Views does not help. I can still listen to the incredibly petty “Marvins Room” indefinitely, but half of the music of this album is tedious from the first listen.

There are some strong pieces to this album though. “Too Good” with Rihanna is quite good and has enough self-awareness to become meaningful and “Hotline Bling” is still fantastic. I just cannot recommend that people track this album down however. Overall, it just lacks in ideas and in quality.

@murthynikhil

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