Tag Archives: charli xcx

Charli XCX – Charli

23 Oct

Charli has come a long way from 2013’s True Romance. That was an album that showed promise, but I don’t know how many expected Charli to be where she is now, legitimately bucking at the gates of superstardom. What makes her and Charli itself incredible though is that she is still a relentless innovator.

Admittedly, Charli does continue in the vein of her previous mixtape Pop 2, but it’s too rich a vein to complain of that. Her electro-pop-with-friends sound is still fresh and the new cast mostly works well with her.

“Gone” for instance is very good, punchy pop. Charli and Chris (of Christine and the Queens) have a fantastic push-me-pull-you dynamic that elevates both of them. Their trading of verses is thoroughly collaborative and yet contains enough of an edge to push both of them.

That edge would have helped in “Cross You Out” where Sky Ferreira slips a little too effortlessly into the song. It’s still good pop, but a little conflict might have tempered the whole thing.

Similarly, “Warm”, while a fun song, doesn’t feel like the collaboration with HAIM that I hoped for as much as a Charli song with a feature in it. It’s got some of the fun HAIM rock in it, but you sort of have to be looking for it. “February 2017” also feels like a little bit of a wasted opportunity due to how understated Clairo is in the song.

Her chemistry with Troye Sivan really makes the album though. “1999” may not be the deepest Charli cut, but it is as good pop as anything that she has ever made. It’s fun, it’s relatable and it’s very catchy. It was the lack of a single like this that brought down Pop 2 and having one of the quality of “1999” does a lot for Charli. “2099” is not quite as strong a single, but it’s a fascinating, futuristic piece.

There are still a couple of missteps. Lizzo is a bit forgettable on “Blame It On Your Love”, even if Charli herself does quite well in it. “Shake It” however is just not good. It’s noisy and grating and doesn’t do anything interesting with all of that noise. “White Mercedes” has Charli stretching herself into something more of power-pop, but that’s not really her métier.

Nevertheless, this is a strong pop album and one well worth spending some time with. Unlike thank u, next and Norman Fucking Rockwell!, this doesn’t feel like the album to take the artist to the next level, but it’s still a very solid addition to an oeuvre rapidly filling with them.

Charli XCX – Pop 2

18 Jan

Pop 2 is a pleasantly experimental mixtape from the now huge Charli XCX. This willingness to experiment is what got me interested in her debut album True Romance and what was missing in both SUCKER and Number 1 Angel.

It could use a real banger however. None of the songs are up to the standard of her best such as her also recent and absolutely fantastic “Boys”. “Femmebot” is close, but doesn’t quite have the energy it needs. It, like a couple of other songs in the album, is unfortunately let down by the feature. Tommy Cash does very well in “Delicious” though, and Charli herself is more than able to carry the album anyway. Songs like “Out Of My Head” are just really good pop and I love the bubblegum in “Unlock It”. The album’s production is relentlessly innovative and Charli effortlessly pushes it further still to the extent of there being literal screeching in the background of “Tears”, a move as unexpected as it is excellent, an epithet as apt for the album as for the song.

@murthynikhil

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