Tag Archives: funk

Taking a Ride with Ladies Compartment: An Interview

15 Jan
Image by Blankfound Creative

Ladies Compartment is a Mumbai four-piece comprising of Ramya Pothuri (acoustic & vocals), Aarifah Rebello (drums & vocals), Aditi Ramesh (keys & vocals) and Nandita V (bass & vocals).

The band’s sound is a refreshing mix of jazz, soul and blues, with the occasional, intriguing addition of Carnatic classical music. Beyond their sonic palette, the band’s mastery of vocal harmonization really sets them apart. For a taste, have a look at their version of the Beatles’ “Blackbird”. A lone guitar forms a tentpole for the ladies’ four perfectly harmonized vocals in a haunting, stripped-down rendition: a truly unique cover of a timeless classic.

Video by Ladies Compartment via YouTube

If you’re just getting to know the band, let us assure you that these women are not newbies to the scene. Aditi and Ramya are singer-songwriters with a debut EP each; Aarifah, a singer-songwriter in her own right, drums for several other acts, and Nandita is an up-and-coming bassist in the indie music industry. The strength of their individual musical talent creates an easy-going camaraderie that’s highly listenable – and repeatable, too.

We sat down with the ladies earlier this week for a quick chat about their influences, experiences, and plans for the coming year. Read on:

Top Five Records: There’s a great mix of genres in your music – soul, funk, and glimpses of many others, too. What are your key musical influences as a band and as individuals?

Ladies Compartment: Individually, we are four musicians with very different tastes and styles, and we bring our individual influences together to create the sound of Ladies Compartment. If one were to consolidate all of our interests and influences, the list would include Soul, R&B, Funk, Folk, Indian Classical, Jazz, Alternative Rock, Dream Pop, Progressive Rock, Western Classical and Blues music. But these are just influences – we don’t like to label our music because we find this limiting, and one can always go beyond these labels and boundaries when creating music.

TFR: Some of your tunes are well-harmonized ditties while others are much more jazzy and freeform. Give us a little detail into your songwriting process. How do you go about it?

LC: There is no one process we follow. With our earlier songs, Aditi would come up with chords and a rough melody. The band would add instrumentation together, while Ramya and Aditi worked on lyrics and Aarifah and Nandita sealed the piece with smooth transitions and rhythmic patterns. With one of our newer songs, Nandita wrote the lyrics, melody, bassline and backing vocal parts, and the band fleshed it out by adding instruments and modifying the chord structures in certain bits. In our newest song, Aarifah created a rhythmic pattern which the whole band then sat together in one space. Each of us have written our own verse over the same music and you can see how different we are as individuals by the varied ways in which we all have interpreted the music. There is no one process we follow, and we are continuously experimenting with different methods.

TFR: What has been your experience so far as an all-female project in the Indian indie music industry?

LC: We have been well-received and supported by multiple platforms and performance spaces. We have pushed forward by focusing on our music, but the truth remains that people love to overuse and push the ‘all-female’ aspect for branding and this sometimes shifts focus away from the music. We’re trying to move away from this type of branding.

TFR: With the indie scene still being at a somewhat nascent stage, what changes would you like to see for artists to really succeed and cross over into larger audiences?

LC: Monetary returns for artists in the indie scene need to go up. There needs to be more respect for artists, and the careers of artists need to be more sustainable for artists to grow and reach larger audiences. There is an attitude with many venues that if they can get the same act for a lower cost they’ll take the opportunity and pay them less. As a result, many artists are scrambling for survival, and this often stunts their artistic development and ability to reach more people.

TFR: You are hot off a performance at Weekender’s Pune edition this year. How was that experience?

LC: We had a lovely, supportive audience and it was the first time we performed on such a large stage.

TFR: What’s on the radar for Ladies Compartment in 2019?

LC: We are finally going to be recording our original music and releasing it this year. We are also in the process of writing more songs and arranging new covers, so you can expect new material at our live performances this year as well!

TFR: If you had to recommend one or two songs of yours for our first-time listeners, what would they be?

LC: “General Specific” and “Don’t Waste Your Time”.

Ladies Compartment performing “Don’t Waste Your Time” on the talk-show Son of Abish

TFR: Thank you, ladies. Before we wrap up, let’s do a short quick-fire round!

TFR: What would be your dream collaboration (any artist, alive or not)?

LC: Jorja Smith.

TFR: What’s a tune or album that’s been on constant rotation?

LC: “If I Get High” by Nothing But Thieves.

TFR: What’s been your favorite gig so far?

LC: When we were told that our gig at a prominent venue in Bangalore was cancelled upon reaching the venue and we put together a house gig instead, within an hour, with the help of our friends from Bangalore Recording Company and LVNG!

TFR: Who’s an Indian musician / band that you really admire?

LC: Sandunes.

Check out Ladies Compartment’s music on Facebook, Youtube and Soundcloud.

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Spoon – Hot Thoughts

12 Dec

Hot thoughts

No band embodies the idea of independent rock better than Spoon. Since 1996, the Austin band has churned out a great album every two to three years (see: Gimme Fiction, Ga Ga Ga Ga Ga).

Every other band with similar discography and enduring success (U2, RHCP) inevitably seems to fall prey to arena rock and millions-strong fan followings. Not Spoon though. They don’t wear leather pants. They don’t talk about their fame in songs. They never moved en masse to LA or NYC; one of them still lives in Austin, where he’s been a key element of the city’s music scene for decades. After all these years, Spoon’s self-worth seems to stem not from the limelight, but from an innate source of cool. And that’s what makes them truly indie rock.

Lead man Britt Daniel doesn’t like the “indie rock” label, though, and it kind of makes sense. In in our present understanding of the term, indie rock often refers to great-sounding upstarts that shot to fame through a combination of luck, marketing and the Internet – but whether their fame endures beyond the debut is a different matter. Spoon grew up in a different world, painstakingly building their sound (and fan base) without sacrificing their passion.

Hot Thoughts, their ninth full-length album, is the latest fruit of this passion. It’s full of the typical Spoon sound – punchy drums, wailing guitars, feverish bass lines and Daniel’s megaphone-via-voicemail singing style – peppered with a certain Spoon-y quirkiness that makes it a unique new album in their discography.

It’s the quirky details that make the songs stick: the first listen may entertain, but the fourth will truly intoxicate. On “Do I Have to Talk You into It”, the swaggering drums over a nervy piano are enough to make a great song, but Daniel’s idiosyncratic renditions of the song title is what stays with you. He shimmies up and down the scale one time; shout-asks in another; fades into the overpowering drums in a third; a magnetic presence on a magnetic track.

One of the verses on “First Caress” talks about a girl who likes to tell Daniel that coconut milk and coconut water are the same thing; it’s such a weird detail, but you somehow end up replaying the song just to hear him say that line. “Pink Up” has a dreamy, atmospheric sound, full of light xylophone touches and folksy maracas, as Daniel exhorts the listener to live life in the moment by taking the train to Marrakesh.

Of course, Spoon isn’t all about the quirk – some of their songs are just pure rock classics. The eponymous song is a good old-fashioned paean to a girl who gives Daniel some sexy ideas, set over fretty licks and Jim Eno’s confident drums. The frenetic energy of the drums and bass on “Shotgun” could and probably will incite a riot at some point, which is fitting because it’s about getting into fisticuffs. “Can I Sit Next to You” thumps along to a funk guitar and dance beats, a strutting theme song to Daniel’s unabashed pick-up line (“Can I sit next to you? Can you sit next to me?”).

Hot Thoughts is a very enjoyable album through and through by the guys who basically invented the genre. You’d be doing yourself a disservice if you don’t give it a listen.

Best songs: “Do I Have to Talk You Into It”, “Can I Sit Next to You”, “Shotgun”

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