Tag Archives: blur

Monthly Playlist: Oct. 2020

2 Nov

As 2020 draws to a close, and we start making the first drafts of our end of year lists, we took a look back at some of the best songs in October 2020. Read on for a quick spin through everything from dance-rock to synth-pop – to whatever Gorillaz is…

5. “I Love It” by Kylie Minogue

The firs of our big-name artists to feature on the list this month is Aussie pop legend Kylie Minogue, who blessed us this month with the 1970s disco-throwback gem called “I Love It”. Readers of Top Five Records will note that this particular aesthetic is rather chic among female pop singers this year, whether it’s Dua Lipa or Jessie Ware or Gaga herself. Kylie carries forward this year’s trend with this bouncy, Technicolor soundtrack to all the parties you wish you’d had this year.

4. “Straight to the Morning” by Hot Chip feat. Jarvis Cocker

Dovetailing right into Kylie’s above track is “Straight to the Morning” by British dance/synth-pop outfit Hot Chip, featuring none other than Pulp’s Jarvis Cocker. As you may expect from this combination of artists, “Straight to the Morning” is a classic heartbeat-speed of a dance track, supported by Cocker’s irreverent drawl. Hot Chip are, of course, famously known for making great music videos, so be sure to check out the one for this track.

3. “Intercontinental Radio Waves” by TRAAMS

British indie rock three-piece TRAAMS is #3 on our list this with their catchy jam, “Intercontinental Radio Waves”. You simply can’t ignore the bluesy, sludgy bassline that hits you right at the start – and before you know it, you’re nodding along to lead singer Stuart Hopkins’ sharp, staccato pronouncements. The band last released an album a few years ago (2015’s Modern Dancing), so perhaps this is a sign of new music to come. If so, they’ve got new fans here at Top Five Records.

1. (Tie) “The Valley of the Pagans” by Gorillaz feat. Beck & “The Pink Phantom” by Gorillaz feat. Elton John and 6LACK

Over the course of this year, Gorillaz have been releasing a song every few months, including the recent ScHoolboy Q collab that we covered here at Top Five. All this new music from the virtual band was a lead-up to October’s Song Machine, Season One: Strange Timez. All tracks on this perfectly-titled album (for, after all, these are indeed strange timez) are collaborations between Gorillaz and an eclectic mix of artists, from niche (e.g. CHAI) to arena-filling (e.g. Elton John). Naturally, such a mix has resulted in a number of possible picks for a stand-out track this month, but we decided to go with two, both of which we’d rank as some of the best songs this month.

With its slick, dance-rock embellishments and playful pacing, “The Valley of the Pagans” is reminiscent of the golden Demon Dayz-era Gorillaz. “The Pink Phantom” features the one and only Elton John, whose vocals shine on this slowed-down, melancholy track. Elton’s voice is impressively – and surprisingly – complemented by American rapper 6LACK’s Auto-tuned, R&B-tinged verses. Props to Gorillaz’s Damon Albarn for putting all the pieces together!

Have you started thinking about your Albums of the Year and Songs of the Year? Let us know in the comments below!

Best New Tracks: Or, Top Five Tracks to Shock and Awe Your Friends

15 Jul

It’s not difficult to see why indie music is the focus of much ire and scoffing, no matter what the sub-genre. The broadness of the term’s definition itself invites more than an acceptable percentage of ‘artists’ who would have been – and should be – branded as rich suburban kids in less digital ages. Besides, there is a reasonable amount of mutual back-patting between publications and the type of bands that are expected to be liked by such publications – as a result of which there is often true confusion whether that DIIV or Lotus Plaza song you’re listening to is good because it’s good music or because it’s supposed to be good music. Y’know?

But, flimsy rant aside, July already seems to have been quite a decent month for the kind of indie music that can walk the talk, so to speak. Without further ado, Top Five Records presents to you five good new tracks of music. Just to be clear, these songs have melodies, lyrics, stories, even pop sensibilities, so fear not, we’re not pulling a hipster-style fast one on you.

5.Under the Westway, by Blur

Chiming in at number five are Brit legends and musical heroes Blur, with a brand new track that they’ve specially released for the Olympics Closing Ceremony. “Under the Westway” starts off with deconstructed beats, plinky piano and the kind of grand orchestral sweeps that are just perfect to play over slow-motion shots of athletic super-feats. While the subsequent melancholy of the song – both in Damon Albarn’s sad vocals and in the lovelorn-ballad-like piano – make the song seem unsuited for the closing ceremony of man’s greatest sporting event, it takes only a little thought to make sense of the song.

True, the lyrics are a little too sad for the Olympics. But there’s always a little shimmer of optimism that seems to shine through the music on this song. And both of these things put together mean this: “Under the Westway” is a song for both the winners and losers, as it should be. It is only apt that, music-wise, “Under the Westway” vaguely reminds one of “Let It Be”, because it means that Blur has got the elegant-grand-closing thing down pretty damn well.

4.Primadonna, by Marina and the Diamonds

On first listen, Marina and the Diamonds’ new single “Primadonna” seems to be a self-fulfilling prophecy sort of deal, as if Marina hopes to be considered a primadonna simply by singing about being a primadonna. It’s a pretty easy mistake to make – before the song even finishes a verse, Marina sweet-sings about how all she ever wanted was the world, and would you please propose to her right now, baby.

But the genius lies in two brief verses that Marina manages to slip in, that make it clear that this song is not a boastful claim of popularity, but a character sketch. “And I’m sad to the core, core, core/ Everyday is a chore, chore, chore/ When you give I want more more/ I wanna be adored,” sings she, no more a braggart but a storyteller. It is good to note that all of this happens while the synth-happy music allows you to completely block out the lyrics if you wanted to. Plus, she possesses Gwen Stefani’s I’m-genuinely-cooler-than-you twang in her voice. Really, it’s just good pop music.

3. Baby, by MIA

Everyone’s favorite Sri Lankan rebel princess MIA returns with a dark, slick gem called “Baby”, from her upcoming 4th album Matangi. It’s full of everything we love about her. She’s still her sometimes-quirky-sometimes-unruly self. She still has enough swagger to redefine what a pop song is meant to be. She still manages to put together the oddest of sounds and make it work. (Remember the cash register/gun shot combination on the chorus of “Paper Planes”?) “Baby”, like MIA, is polarizing. It has mucky beats, electronica that warns you of aliens, and half-seducing-half-chiding lyrics, so you know straight off whether you like it or hate it. And we happen to really like it.

2. Gun Has No Trigger, by the Dirty Projectors

“Gun Has No Trigger” doesn’t sound like a real song. What we mean is, it sounds like it could be a remix. There’s a guy belting out verse after soulful verse of old-school music, there’s the low hum of old-school female background singers, and then, at odds, there’s some striking, clearly modern drumming. But this isn’t a remix: this is the sound that the Dirty Projectors show off on their new album Swing Lo Magellan. The best thing about “Gun Has No Trigger” is that it sounds exactly like the background music during a Bond movie’s opening credits, and when you pair that fact with the song title, it seems like a stroke of genius.

Sidebar: The video for this song is brilliant.

1. Pyramids, by Frank Ocean

Last year, Frank Ocean was an unknown R&B singer who was, strangely, affiliated with a violent young rap crew (Odd Future). Then, his mixtape Nostalgia Ultra came out and everything changed. Nostalgia Ultra was considered by many – including yours truly – to be the best thing that happened in music last year. So, this week, when Ocean flippantly announced that his first love was a man, went on Jimmy Fallon’s show and released his first album Channel Orange a week early, it propelled him to the biggest thing in music right now. Against this backdrop, it is easy for the public’s expectation of Frank Ocean’s new album to overshoot reality.

Thankfully, Frank Ocean seems to equal if not surpass what he did on that mixtape. The stand-out so far seems to be the ten-minute “Pyramids”. The hazy-slick beats and Ocean’s spectacular set of pipes take centre stage on first listen. But, like any good Frank Ocean song, that’s only the beginning. Slowly, amidst Egyptian-themed metaphors, the story unfolds: “Pyramids” is actually a fully fleshed out story about a whore called Cleopatra that the narrator – her pimp – seems to be enamored by. As if that wasn’t enough, there’s also a great John Mayer guitar solo to close out the song. Listen, now!

Sidebar 1: If you’re wondering what a pyramid has got to do with it, just check out the single cover art.

Sidebar 2: There’s a brief second or two where you think he’s going to segue into KC and the Sunshine Band’s “That’s the Way (I Like It)”. It is a pretty snazzy thing to do.

Agree with the top 5? Disagree? Let us know in the comments section! 

–  Neeharika

%d bloggers like this: