Tag Archives: MIA

The Top Five Songs of 2013: Neeharika’s List

23 Dec

With about a week to go before the end of the year, 2013 is being hailed by critics across the board as a good year for music. We saw the emergence of new, promising artists like Haim and Lorde, and saw great followups by established acts such as Arctic Monkeys and Daft Punk. My Bloody Valentine made a reappearance twenty-two years (!) after their previous album, while Kanye West released a mad-hatter album whose hype rivals, if not exceeds, that which surrounded his blockbuster from 2010. Chance the Rapper and Earl Sweatshirt, too, released important rap albums. All in all, it was a good year for music. Here’s my take on the top five songs of the year. Hope you like it!

– Neeharika

5. “The Wire” by Haim

Haim

There are a handful of songs in the world where all the elements – the music, the lyrics, the style and the influences – sync perfectly and irrefutably together. These songs are very, very few and far between, and are invariably propelled to ‘instant classic’ status. It can be said, beyond the shadow of a doubt, that “The Wire” is one of these songs.

Haim, a trio of sisters from sunny California, has been making all the right kind of headlines since their debut Days are Gone released in September. Even though they have been compared to everyone from Fleetwood Mac to the Dixie Chicks, Haim has an unshakeable foundation which lets them use their influences as flavoring rather than as the main ingredient. However you look at it, Haim is one of the most attractive and truly talented bands out there today.

“The Wire”, a confessional about wisely letting go of a failing relationship, is an irresistibly catchy example of Haim’s allure. Existing in a universe where The Bangles open for Madonna (or maybe the other way around), “The Wire” is one of the best songs of the year and perhaps one that 2013 will be remembered for, well into the future.

View our full album review here.

4. “Right Action” by Franz Ferdinand

In early 2004, a Scottish indie rock band released an eponymous debut album, smartly titled after a European archduke who catalysed one of history’s largest events. Fittingly, the album provided a similarly intense shot-in-the-arm for the indie rock world, which had been languishing since The Strokes released their unbeatable debut three years prior.

Franz Ferdinand’s post-punk/steampunk hit “Take Me Out”, which was coupled with a video that showcased the band’s monstrously creative art-school sensibilities, remained the band’s song to beat. Now, almost a decade later, Franz Ferdinand has finally created a true successor to their best-known song – and man, it’s good.

“Right Action” is an almost-love song (“Sometimes I wish you were here, weather permitting”) that paraphrases Buddhist tenets (“Right thoughts, right words, right actions”) over a relentless dance-party riff. It wouldn’t be incorrect to say that the song’s a riot and a half. The video, like all Franz Ferdinand videos, is mindblowingly artsy, and the boys are as slick and well-dressed as ever. Alex Kapranos has said that the band’s raison d’etre is to make music that girls can dance to. Franz Ferdinand may be a decade old, but you can bet your skinny tie that they can still own any dance party.

3. “Bad Girls” by M.I.A.

London-via-Sri Lanka swag goddess MIA has always been known for her ridiculous amounts of devil-may-care confidence. But nowhere in her career has she been as swagtastic as in the video for “Bad Girls”. In front of an audience of traditionally-attired Arab men, MIA drag-races – on cars tilted 45 degrees to the vertical – while repeating her feminist, fuck-you mantra: “Live fast, die young, bad girls do it well.”

MIAThe implicit understanding that the video is taking place in Saudi Arabia – where woman drivers, let alone irreverent women atop cars, are forbidden – makes “Bad Girls” one of the rowdiest things that MIA has ever done. The song itself tilts, much like MIA’s cars, between exotic mysticism and gilded braggadocio, and in a way, it’s a metaphor for the artist herself. Whatever the angle, though, it’s just a ridiculously good song.

2. “Royals” by Lorde

Ironically aristocratic teenage sensation Lorde is, ironically, 2013’s It-girl. On “Royals”, her break-out, chart-topping lead single, Lorde sings about her inability to associate with the gaudy extravagance of popular musicians. “We don’t care, we aren’t caught up in your love affair,” she asserts, placing herself firmly in the zone of the non-celebrity.

Over a deep-drum, threadbare beat, Lorde eschews the trappings of fame for a more localized aristocracy: “Let me be your ruler, you can call me queen bee,” she says. Ironically, though, this very song catapulted her into immediate pop royalty, charting her over self-indulgent pop mainstays such as Katy Perry and Miley Cyrus. Not bad for a sixteen year old, wouldn’t you say?

View our full album review here.

1. “Get Lucky” by Daft Punk

“Get Lucky” was first released into the world through a 15-second advertisement on Saturday Night Live in early March. The rabid craze that followed that brief snippet foreshadowed the near future: a particularly enthusiastic fan even spun that 15-second sample into an extended 10-hour jam (!).  At that point, the world didn’t even know much about the song – apart from a warm, glittering riff that somehow automatically brought to mind a disco ball. By the time Daft Punk released the song in April though, everyone knew all the words. It was, in mid-spring, already the song of the summer.

“Get Lucky” is musical perfection enveloped in four minutes. It’s the reckless abandon on a disco dance floor. It’s the magic of meeting someone more promising than you’ve met in years. It’s the realization that love keeps the planet spinning, that music rebirths from itself like a phoenix. “Get Lucky” is a gift from a pair of robots to humankind, reminding us of a forgotten truth: that the past is golden and the future holds endless possibilities.

In 2013, musicians around the world made music that impacted some of us in certain ways. In 2013, Daft Punk made a song that could – and should – eventually be sent out of our world into endless space as a symbol of what humankind can achieve… with a little help from robots, of course.

View our full album review here.

So there you have it! Stay tuned for more Top Five lists coming up soon, including our Top Five Albums of 2013!

Best New Tracks: Or, Top Five Tracks to Shock and Awe Your Friends

15 Jul

It’s not difficult to see why indie music is the focus of much ire and scoffing, no matter what the sub-genre. The broadness of the term’s definition itself invites more than an acceptable percentage of ‘artists’ who would have been – and should be – branded as rich suburban kids in less digital ages. Besides, there is a reasonable amount of mutual back-patting between publications and the type of bands that are expected to be liked by such publications – as a result of which there is often true confusion whether that DIIV or Lotus Plaza song you’re listening to is good because it’s good music or because it’s supposed to be good music. Y’know?

But, flimsy rant aside, July already seems to have been quite a decent month for the kind of indie music that can walk the talk, so to speak. Without further ado, Top Five Records presents to you five good new tracks of music. Just to be clear, these songs have melodies, lyrics, stories, even pop sensibilities, so fear not, we’re not pulling a hipster-style fast one on you.

5.Under the Westway, by Blur

Chiming in at number five are Brit legends and musical heroes Blur, with a brand new track that they’ve specially released for the Olympics Closing Ceremony. “Under the Westway” starts off with deconstructed beats, plinky piano and the kind of grand orchestral sweeps that are just perfect to play over slow-motion shots of athletic super-feats. While the subsequent melancholy of the song – both in Damon Albarn’s sad vocals and in the lovelorn-ballad-like piano – make the song seem unsuited for the closing ceremony of man’s greatest sporting event, it takes only a little thought to make sense of the song.

True, the lyrics are a little too sad for the Olympics. But there’s always a little shimmer of optimism that seems to shine through the music on this song. And both of these things put together mean this: “Under the Westway” is a song for both the winners and losers, as it should be. It is only apt that, music-wise, “Under the Westway” vaguely reminds one of “Let It Be”, because it means that Blur has got the elegant-grand-closing thing down pretty damn well.

4.Primadonna, by Marina and the Diamonds

On first listen, Marina and the Diamonds’ new single “Primadonna” seems to be a self-fulfilling prophecy sort of deal, as if Marina hopes to be considered a primadonna simply by singing about being a primadonna. It’s a pretty easy mistake to make – before the song even finishes a verse, Marina sweet-sings about how all she ever wanted was the world, and would you please propose to her right now, baby.

But the genius lies in two brief verses that Marina manages to slip in, that make it clear that this song is not a boastful claim of popularity, but a character sketch. “And I’m sad to the core, core, core/ Everyday is a chore, chore, chore/ When you give I want more more/ I wanna be adored,” sings she, no more a braggart but a storyteller. It is good to note that all of this happens while the synth-happy music allows you to completely block out the lyrics if you wanted to. Plus, she possesses Gwen Stefani’s I’m-genuinely-cooler-than-you twang in her voice. Really, it’s just good pop music.

3. Baby, by MIA

Everyone’s favorite Sri Lankan rebel princess MIA returns with a dark, slick gem called “Baby”, from her upcoming 4th album Matangi. It’s full of everything we love about her. She’s still her sometimes-quirky-sometimes-unruly self. She still has enough swagger to redefine what a pop song is meant to be. She still manages to put together the oddest of sounds and make it work. (Remember the cash register/gun shot combination on the chorus of “Paper Planes”?) “Baby”, like MIA, is polarizing. It has mucky beats, electronica that warns you of aliens, and half-seducing-half-chiding lyrics, so you know straight off whether you like it or hate it. And we happen to really like it.

2. Gun Has No Trigger, by the Dirty Projectors

“Gun Has No Trigger” doesn’t sound like a real song. What we mean is, it sounds like it could be a remix. There’s a guy belting out verse after soulful verse of old-school music, there’s the low hum of old-school female background singers, and then, at odds, there’s some striking, clearly modern drumming. But this isn’t a remix: this is the sound that the Dirty Projectors show off on their new album Swing Lo Magellan. The best thing about “Gun Has No Trigger” is that it sounds exactly like the background music during a Bond movie’s opening credits, and when you pair that fact with the song title, it seems like a stroke of genius.

Sidebar: The video for this song is brilliant.

1. Pyramids, by Frank Ocean

Last year, Frank Ocean was an unknown R&B singer who was, strangely, affiliated with a violent young rap crew (Odd Future). Then, his mixtape Nostalgia Ultra came out and everything changed. Nostalgia Ultra was considered by many – including yours truly – to be the best thing that happened in music last year. So, this week, when Ocean flippantly announced that his first love was a man, went on Jimmy Fallon’s show and released his first album Channel Orange a week early, it propelled him to the biggest thing in music right now. Against this backdrop, it is easy for the public’s expectation of Frank Ocean’s new album to overshoot reality.

Thankfully, Frank Ocean seems to equal if not surpass what he did on that mixtape. The stand-out so far seems to be the ten-minute “Pyramids”. The hazy-slick beats and Ocean’s spectacular set of pipes take centre stage on first listen. But, like any good Frank Ocean song, that’s only the beginning. Slowly, amidst Egyptian-themed metaphors, the story unfolds: “Pyramids” is actually a fully fleshed out story about a whore called Cleopatra that the narrator – her pimp – seems to be enamored by. As if that wasn’t enough, there’s also a great John Mayer guitar solo to close out the song. Listen, now!

Sidebar 1: If you’re wondering what a pyramid has got to do with it, just check out the single cover art.

Sidebar 2: There’s a brief second or two where you think he’s going to segue into KC and the Sunshine Band’s “That’s the Way (I Like It)”. It is a pretty snazzy thing to do.

Agree with the top 5? Disagree? Let us know in the comments section! 

–  Neeharika

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