Tag Archives: rich brian

Top Five 20 Minute Albums From 2020

1 Feb

Much though one might want to escape the idea of music as a commodity, nothing is that free of context and in the streaming era and the era of #content, it’s all too easy to let an album sprawl. Here, we have five albums (and one bonus one) that take only about 20 minutes each.

Bonus: Silversun Pickups by Toy Soldiers

Silversun Pickups are a band with a history for me. They were one of my first ventures into developing a music taste beyond what played on TV. It’s fun to find a band that you can tell people to check out and Silversun Pickups was that for a much younger me. There are worse bands that I could have chosen.

Toy Soldiers achieves what it sets out to do. It’s competent 2000s era alt-rock. It’s not quite up to the standard of their first three albums, and there are points that just don’t quite reach the emotion they grasp for, but it’s still very listenable. They’re in their comfort zone throughout and the result is solid music. It finishes before you really notice anything from it, but there are very few complaints to have and it’s just nice to see this band again.

5. THE ALBUM by BLACKPINK

K-pop is a visual art form and if you’re only listening to BLACKPINK, you’re missing out on a lot of their charm. This is especially true with “Ice Cream” where a delightful Selena Gomez fits into a classic K-pop music video seamlessly.

They’re at their best with “Lovesick Girls.” It’s not really meant to be scrutinized, but it’s a good, frothy time. It’s got a great chorus, a wonderful conceit and it’s excellent pop. Some songs don’t land quite as well. Cardi does nothing in “Bet You Wanna” and “Pretty Savage” is unintelligent. However, the swagger in “How You Like That” is great and “Crazy Over You” is them doing what they do well. Overall, this is a fun album and BLACKPINK are just too likable to ignore.

4. 1999 by Rich Brian

I don’t know if there’s anyone that I’m quite as excited to see new stuff from as Rich Brian. He’s like Aminé in that I just like seeing him do stuff, but somehow even more likable. The singles of “DOA” and “Love In My Pocket” augured well for the album, but sadly the rest just doesn’t hold up. Rich Brian is absurdly talented, especially for someone of his age (guess why the album is titled 1999), but he hasn’t quite found the consistency yet for even a 20-minute EP.

The singles are just so much fun though. He’s got a great ear for sound and an incredible agility in his music. His weaponization of irony is sharp, funny and makes for exceptional music. His music videos are top-tier. There’s no question that he’s going to figure out how to put it all together soon.

3. Drop 6 by Little Simz

When Little Simz raps, there’s a momentum to it. This is in part just the velocity she’s capable of and the absurd degree of comfort she has when rapping, but it’s more than that. It’s the craftsmanship in her bars. The artistry in how each song is put together and how the pieces connect is compulsive and clever.

It’s thus a shame that this is another salvo from this corner of rap that just slightly misses the mark. This particular brand of London rap is skilled and confident and unceasingly cool, but it lacks an approach vector and Drop 6 doesn’t break the mold. In its focus and its purview, it lacks anything to grab on to.

At least, anything save for its prodigious skill. She’s far too good to ignore and there is more than enough in this music for it to stand on its own.

2. Honeymoon by Beach Bunny

Sometimes, a band can just emerge fully-formed with a debut album. Some artists need a while to figure out who they are. Beach Bunny seems to have the complete picture already though. This is power pop able to stand with anything out there.

They do sometimes take a path too easy. “Sometimes I like being on my own / I’m afraid of winding up alone” in “Cuffing Season” is basically cheating and “I always end up in second place” in “Racetrack” is extremely self-indulgent, but the music is done well enough to carry it over the line from puerile to resonant.

With talent like this, it’s easy to overlook minor blemishes. Beach Bunny is fun and exciting and the Honeymoon period is only just starting.

1. Music in Eight Parts by Phillip Glass

2020 marks 50 years from the writing of this score. In 1970, Phillip Glass was still only making music part-time. His heyday as one of the most celebrated composers was still to come, and yet he was making absolutely unforgettable music. Music In Eight Parts was considered lost for nearly half a century until it was rediscovered in 2017 and then released by the Ensemble in 2020.

The music is astounding. A single thread is taken and twisted and teased through the most winding of tunnels. The use of counterpoint is unbelievable. This music starts with something immediately comprehensible and proceeds to challenge you beyond what you should be able to follow. This music is a strenuous listen and it leaves you lathered at the end, but is exhilarating throughout. It feels like it packs in the same 20 minutes as much music as the rest of this list combined and leaves room to spare. The eight parts are not named for nothing. This is a masterpiece and an album well worth its spot in the Phillip Glass repertoire.

88Rising – Head In The Clouds

19 Dec

88rising is my pick for the most exciting label around right now. There’s a lot of talent in East Asia and some truly excellent music is coming out of the area. Some people have already seen some amount of crossover appeal and Head In The Clouds is a solid attempt at expanding that reach.

A good amount of the album is quite good. Most of the music with the headliners of Higher Brothers, Rich Brian and Keith Ape are quite good. “Disrespectin” is a really interesting cut with a fascinating trap / world beat, a great chorus from AUGUST 08 and excellent rapping from DZ and Maswei that mixes Chinese and English. The polylinguism is one of the coolest things about the album. Many of the artists are fully capable of smooth transitions from one language to another and it makes for quite impressive listening. Keith Ape switches both language and flow on a dime in “Japan 88”, although unfortunately the chorus and beat both drag a little too long in that song.

Unfortunately, past the main attractions, the music is largely a little weak. Some of the guests, like BlocBoy JB do nothing and I’m not into “La Cienega”. Even “Midsummer Madness” is just unlistenable due to the terribly trite chorus and beat. The rapping is solid in parts, but not solid enough to save the song and it’s actually bad in the rest.

However, much of the music is excellent. “Nothing Wrong” is solid Higher Brothers and “Lover Boy 88” is quite fun with some excellent crooning. It’s not a flawless album, but it is a very worthwhile look at some really interesting music coming from contemporary East Asia.

@murthynikhil

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