Tag Archives: boilermaker

Top Five Songs of 2021

1 Jan

If you’ve been following our Monthly Playlist series throughout the year, then you’re probably familiar with most of the songs on this list. The songs below cover the gamut across rock, pop, blues and more– take a spin below and let us know what you think!

5. “Boilermaker” by Royal Blood

Clocking in at #5 is the hard-hitting collaboration between British two-piece Royal Blood and desert rock veteran Josh Homme. Royal Blood’s 2021 album Typhoons was somewhat of a hit-or-miss effort (read our full review here), but the best part of the album is undeniably this high-wire track. “Boilermaker” is heavy, energetic, and comes with a fun music video – one of the best rock tracks of the year.  

Read more in our Monthly Playlist.

4. “The Hardest Cut” by Spoon

Speaking of great rock tracks – in our opinion, the best one of the year is “The Hardest Cut”, the first single from Austin, Texas band Spoon’s upcoming Lucifer on the Sofa album. With its thick bass lines, rangy vocals and dance-rock beats, this is by far one of the catchiest songs we’ve heard all year. If this is an indication of what the rest of the new album is going to sound like, then we sure are in for a treat.

Read more in our Monthly Playlist.

3. “Oxytocin” by Billie Eilish

It’s funny – Billie has been releasing singles for her sophomore album Happier Than Ever for a full year before the album released in July 2021, but the best song on the album (and one of the best songs of the year) is the electro-pop non-single banger “Oxytocin”. The song brings together all the best parts about the Billie Eilish act – breathy vocals, out-of-this-world production from her brother Finneas, and a general feeling of devilish provocation.

Read more in our Monthly Playlist.

2. “Take My Breath” by the Weeknd

At this point, the Weeknd probably does the 80s better than musicians in the actual 80s. “Take My Breath” is another synth-disco killer track that sits right at the junction between the classic 80s sound and a transition into the Britney-inspired 90s era. This is the first song from what is ostensibly the “Dawn era” (naturally coming after his After Hours era), perhaps signifying a new album from the Canadian singer in 2022. Here’s hoping!

Read more in our Monthly Playlist.

1. “INDUSTRY BABY” by Lil Nas X feat. Jack Harlow

The best song of the year comes from the debut album of Lil Nas X, but he’s far from a debut artist. The man has been racking up great tracks nonstop since his worldwide hit “Old Town Road” but “INDUSTRY BABY” is potentially his best track yet. The fanfare horns throughout the track signify a self-coronation for one of the biggest hitmakers of our time, who’s especially unique in the sense that he’s truly a self-made man.

Read more in our Monthly Playlist.

Looking for more great tracks? Here are our runners-up for the top songs of the year, in alphabetical order:

Listen on Spotify:

Royal Blood – Typhoons

7 Jun

Typhoons is the third studio album from British two-piece band Royal Blood, following the eponymous debut (2014) and the sophomore album How Did We Get So Dark? (2017). The band’s signature sound comes from singer Mike Kerr’s vocals and hard-hitting guitars, paired by the machinery that is Ben Thatcher’s drum kit – the result being a catchy, lively output of songs. On the third album Typhoons, the boys have infused this sound with a more dance-rock vibe (reminiscent of the Kaiser Chiefs and other such bands of the mid-00s).

The album has been a long way coming: their first single “Trouble’s Coming” came out in late 2020, and as our readers would know, we loved that track. Title track “Typhoons”, released in January of this year, similarly caught our fancy, as did fourth single “Boilermaker”.

All signs were pointing to a fantastic album. The question was, would the rest of the album stand up to the monster singles? Our answer – not really.

Oblivion” is definitely the best of the new tracks, wedged right in between two lead singles but standing up to their weight. Ominous synths lead into a beastly opening riff and Kerr’s apathetic vocals, all leading up to an explosion of beats and riffs in the main chorus.

By the time you run through the first three tracks, you’re pumped up and ready to go – and unfortunately, the largely unremarkable fourth track “Who Needs Friends” doesn’t pack enough of a punch for the adrenaline to land.

A few other tracks on the album are in the vein of this so-so track. For example, “Hold On” sounds like a mash-up of the average parts from their other songs, mixed with tunes from any forgettable bands from mid-00s alt-rock radio stations. “Either You Want It” is interesting for Kerr’s falsetto style vocals and slight lead into wailing psychedelic-esque guitars, but ultimately it doesn’t quite click. The slow, piano-led “All We Have Is Now” is quite unusual for the band, but the overt focus on the piano as opposed to the too-ethereal, too-echoey vocals makes the song feel like it’s missing an element. Maybe someday Royal Blood can put out a legitimate rock ballad, but this isn’t it yet.

Now that we have had a chance to listen to the full album, it’s clear that the best song on the album is “Boilermaker”, which was produced by Queens of the Stone Age singer and desert-rock purveyor Josh Homme. It’s an absolute riot of a track, all sludgy guitar riffs that showcase Kerr’s sneering vocals. Another great track is third single “Limbo” – filled with traditional guitar-and-drums in the verses but drifting into a hypnotic, psych-rock vibe in the chorus. The band recently did an orchestral version of the song that’s definitely worth checking out!

All in all, Typhoons produced a good number of decent additions to the Royal Blood repertoire, and perhaps marks the start of the band’s more dance-rock edge. The singles are definitely still the best songs on the album, but there are a couple of notable additions for it to be worth your while.

Rating: 7/10

Best tracks: “Boilermaker”, “Oblivion”, “Typhoons”

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