Royal Blood – Typhoons

7 Jun

Typhoons is the third studio album from British two-piece band Royal Blood, following the eponymous debut (2014) and the sophomore album How Did We Get So Dark? (2017). The band’s signature sound comes from singer Mike Kerr’s vocals and hard-hitting guitars, paired by the machinery that is Ben Thatcher’s drum kit – the result being a catchy, lively output of songs. On the third album Typhoons, the boys have infused this sound with a more dance-rock vibe (reminiscent of the Kaiser Chiefs and other such bands of the mid-00s).

The album has been a long way coming: their first single “Trouble’s Coming” came out in late 2020, and as our readers would know, we loved that track. Title track “Typhoons”, released in January of this year, similarly caught our fancy, as did fourth single “Boilermaker”.

All signs were pointing to a fantastic album. The question was, would the rest of the album stand up to the monster singles? Our answer – not really.

Oblivion” is definitely the best of the new tracks, wedged right in between two lead singles but standing up to their weight. Ominous synths lead into a beastly opening riff and Kerr’s apathetic vocals, all leading up to an explosion of beats and riffs in the main chorus.

By the time you run through the first three tracks, you’re pumped up and ready to go – and unfortunately, the largely unremarkable fourth track “Who Needs Friends” doesn’t pack enough of a punch for the adrenaline to land.

A few other tracks on the album are in the vein of this so-so track. For example, “Hold On” sounds like a mash-up of the average parts from their other songs, mixed with tunes from any forgettable bands from mid-00s alt-rock radio stations. “Either You Want It” is interesting for Kerr’s falsetto style vocals and slight lead into wailing psychedelic-esque guitars, but ultimately it doesn’t quite click. The slow, piano-led “All We Have Is Now” is quite unusual for the band, but the overt focus on the piano as opposed to the too-ethereal, too-echoey vocals makes the song feel like it’s missing an element. Maybe someday Royal Blood can put out a legitimate rock ballad, but this isn’t it yet.

Now that we have had a chance to listen to the full album, it’s clear that the best song on the album is “Boilermaker”, which was produced by Queens of the Stone Age singer and desert-rock purveyor Josh Homme. It’s an absolute riot of a track, all sludgy guitar riffs that showcase Kerr’s sneering vocals. Another great track is third single “Limbo” – filled with traditional guitar-and-drums in the verses but drifting into a hypnotic, psych-rock vibe in the chorus. The band recently did an orchestral version of the song that’s definitely worth checking out!

All in all, Typhoons produced a good number of decent additions to the Royal Blood repertoire, and perhaps marks the start of the band’s more dance-rock edge. The singles are definitely still the best songs on the album, but there are a couple of notable additions for it to be worth your while.

Rating: 7/10

Best tracks: “Boilermaker”, “Oblivion”, “Typhoons”

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