Monthly Playlist: Jun. 2019

2 Jul

And just like that, we’re halfway through 2019. So far, the year has given us some great music already. There have been some fantastic albums from well-established bands (Vampire Weekend, Foals) and break-out debuts from true diamonds-in-the-rough (see: slowthai). Read on for our picks this month – spanning old-school indie rock, beautiful folk-pop, and two of the best tracks all year from the Indian subcontinent.

Read on below for the goods:

5. “No Bullets Spent” by Spoon

As our readers know well, we at Top Five Records are huge fans of Austin-based indie rock veterans Spoon. Their 2017 album, Hot Thoughts, made it onto our year-end list that year, and “No Bullets Spent” perfectly espouses all we love about this band. In spades are the laid-back vibes undeniably sourced from their hometown of Austin, TX; lead singer Britt Daniel’s lackadaisical lyrics; the unmistakably subtle-yet-groovy Spoon chorus; and so much more. “No Bullets Spent” was released to hype up the release of the band’s greatest hits album (Everything Hits at Once) on July 26th. Whether you’re already a Spoon fan or not, we encourage you to check out this track, and of course the greatest-hits compilation when it’s out.

4. “Love Yourself” by Sufjan Stevens

Love Yourself” is an electronic-tinged slowjam that works in two ways: one, as a plea to your lover to appreciate themselves more (“Love, can you love yourself”); two, as a note-to-self with the same message. Either way, it’s a gorgeous, lushly-produced song that perfectly features Sufjan’s emotive pipes. Sufjan Stevens has enjoyed a recent surge in popularity, in part due to the vital inclusion of a couple of his songs on Call Me By Your Name, 2017’s sleeper art film hit. With “Love Yourself” – released as part of a four-song Pride Month EP – Sufjan fans both new and old are likely to be more than satisfied. We sure are!

3. “My Baby’s Beak” by the F16s

In the early part of this decade, something magical was happening in Chennai’s indie music scene. There were suddenly a swathe of very good, very unique and very closely-knit artists coming out of the southern port city. Everyone seemed to know each other. Everyone wanted everyone else to succeed. Everyone came out to each other’s shows. Was there something in the Chennai water?

Over the years, we’ve spoken to and closely covered several of these bands, and what we’ve gleaned is the following. The city’s strong musical streak, combined with the centering of the Indian indie music away from Chennai to other metros (Mumbai, Bangalore) and the piteous lack of venues in town, meant that Chennai’s independent musicians had a truly DIY approach to their craft. People practiced in home spaces. Bands shared band members. And there was a strong support system that helped bands thrive and maintain their wholly unique sounds.

One of these bands is the F16s. For many of us at Top Five Records, songs like “Light Bulbs” and “Avalanche” (from 2013’s Kaleidoscope) exemplified the careful balance between restraint and decadence of our millennial existences back in the day. The band’s follow-up album, 2016’s Triggerpunkte, had a few stand-out tracks, but it felt like a stepping stone to the F16s’ next great output: and WKND FRNDS is it.

All four of the songs on this crisp new EP are great, but “My Baby’s Beak” really clicked with us. We can best describe the song as the soundtrack one might choose while writing desperate love letters, from a tropical island, pina colada in hand – in the 1980s. “Oh mama, can you tell me if I made it / My ego gets inflated with you,” croons lead singer Josh Fernandes, complementing the luxurious sounds from the rest of the band. The song’s a true treat for fans eagerly awaiting new F16s music, and for new listeners alike. P.S. If you liked this one, we’ll also take this time to recommend the EP’s eponymous track as a follow-up.

2. “Speedway” by black midi

The four young members of black midi met at BRIT School, the UK’s premier music school that has produced legends such as Amy Winehouse and Adele. Centered somewhere between the Foals’ math-rock and Animal Collective’s asymmetric ethos, black midi enthralls with a ridiculously ready-out-of-the-gate sound. Our favorite track off their debut album Schlagenheim is “Speedway” – a pulsing, hypnotic song filled with feverish stops and starts. Slightly nerve-wracking and more than slightly ominous, “Speedway” is testament to what the lads can pull off in a mere three minutes. If you like this song, check out “953” from the same album for some bewilderingly good punk rock.

1. “Floated By” by Peter Cat Recording Co

There is no other way to say this: Peter Cat Recording Co is one of the best bands to ever come out of the Indian subcontinent. With meticulous detailing and inimitable style, the Delhi-based gypsy / jazz band has long excited us here at Top Five Records. The band’s new album, Bismillah, dropped earlier this month, and suffice it to say, we cannot get enough of it.

Bismillah’s stand-out, in our opinion, is “Floated By”; a song so good that we wrote the rest of this list with it in a firm #1. “Floated By” finds the band in their element – a melancholic wedding band letting loose after a drink too many in hand and an hour too long on stage. (The twist here, as seen in the song’s music video, is that the wedding in question is lead singer Suryakant Sawhney’s own, real nuptials.)

As with most Peter Cat songs, the real star of the song is Sawhney’s powerful voice. In between the wedding-procession drums and slightly off-kilter horns, his voice rings out: true, wistful and imbued with astonishing range. A simple line (“I know that I should / I know that I would”) takes him ages to enunciate, as his voice floats across the vocal spectrum.

Simply put, “Floated By” is one of the best songs we’ve heard all year. Look for a full review of Bismillah soon – and until then, please give the album a listen.

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