Tag Archives: the runner

The Top Five Songs of 2019

31 Dec

If making a great album is one unique combination of skills, making a great song is another – sometimes complementary, sometimes not – skillset. Below is a look at the top five songs that defined our editor’s year. Let us know if you agree!

5. “Tokyo Drifting (with Denzel Curry)” by Glass Animals

“Tokyo Drifting”, an unlikely collaboration between British psych rockers Glass Animals and Southern rapper Denzel Curry, is – even more improbably – the best trap song this year. Hazy beats and Curry’s swaggering verse make this the perfect soundtrack to a nighttime chase through a city that never sleeps – just as the title suggests.

This song also appears on our Nov. 2019 Monthly Playlist.

4. “Exits” by Foals

With its slightly off-kilter beats and the lead singer’s enigmatic vocals, “Exits” casts a hypnotic spell on the listener’s mind. This lead single from Foals’ Everything Not Saved Will Be Lost Pt 1 also offers a trippy synth solo, cryptic music video, and much more. Don’t miss out!

This song also appears on our Mar. 2019 Monthly Playlist.

3. “Dexter & Sinister” by Elbow

Much like Travis Scott’s “SICKO MODE” last year, this opening track from British band Elbow’s eighth studio album is actually several songs in one, stitched together by impeccable production quality. Over six minutes, “Dexter & Sinister” skips from bass-heavy alt-rock, to ethereal pop, to meditative guitar – apparently as a musical metaphor to Brexit.

This song also appears on our Oct. 2019 Monthly Playlist.

2. “Inglorious (feat. Skepta)” by slowthai

If there is a zeitgeist for the political minefield that is today’s United Kingdom, it is slowthai’s debut album, Nothing Great About Britain. And the core of that album – the zeitgeist of the zeitgeist – is this track, featuring another UK man-of-the-moment, Skepta. “Inglorious” is about what it means to be poor and overlooked, and how that feeling sticks with you whether your fortunes change or not. This is the essence that informs and guides the rest of the album, which sees slowthai peeling apart the layers to Brexit with snark and irreverence. Rap with the spirit of punk.

This song also appears on our May 2019 Monthly Playlist.

1. “The Runner” by Foals

 “The Runner” is Foals at their finest: cryptic lyrics, heavy-hitting riffs and sharp production turned up to the max. It’s also just great music: endlessly listenable in all moods, whether it’s on the radio or on a superfan’s 500th spin. Foals have had a great year, but this song may be their best work ever.

This song also appears on our Sep. 2019 Monthly Playlist.

Honorable mentions: “CHARLIE” by Malfnktion feat. Shayan Roy; “Juice” by Lizzo; “7 rings” by Ariana Grande

Foals – Everything Not Saved Will Be Lost Pt 2

31 Dec

There are few double-whammies quite like the one that Foals dealt us this year. They released a career-defining album, Everything Not Saved Will Be Lost Pt 1, in March of this year. The conspicuous “Pt 1” in the title left many wondering when the next part would be released. Little did we know that it would be a mere seven months later, with October’s Everything Not Saved Will be Lost Pt 2.

If Pt 1 produced fantastic hits like “Exits” and “Café d’Athens”, Pt 2 takes it one step further. Here, practically every song is a bonafide hit. The album opens with an atmospheric, one-minute intro called “Red Desert” – a palette of echoing synths that conjures up a mystical Marrakesh adventure, perhaps. But the atmospherics immediately segue into Foals’ best song of the year, “The Runner”. Heady, heavy and more than a little apocalyptic, “The Runner” is probably the best arena rock this year – with a killer chorus to boot (“When I, when I fall down, fall down / then I know to keep on running”).

Rather than just being the star of the first half, “The Runner” is actually the first of four absolute beastly tracks. “Wash Off”, is a powerhouse of drums and guitars that goes from frenetic to downright crazy – before all the layers convalesce into a blissful 30-second ending. “Black Bull” is a maddening, murky blitz that lends total credence to the song title (also: see music video). And finally, “Like Lightning” is almost reminiscent of the Black Keys, with Dan Auerbach-esque vocals and a sluggish, bluesy feel – but a banger nonetheless.

It’s not until the slower-paced “Dreaming Of” that the listener is allowed to catch her breath. After the brief piano interlude (“Ikaria”), we are led into the final stretch of the album, and that’s when things really pick up to an unexpected level.

10,000 Feet” is a dramatic, rock-opera version of the myth of Icarus. “Into the Surf” is a dreamy track that highlights Yannis Philippakis’ vocals and a spindly piano. But Foals have saved the best for last, with the complete masterpiece of an album closer, “Neptune”.

At ten minutes and eighteen seconds, “Neptune” is no radio-friendly hit (unlike most of the rest of the album). From start to finish, it’s Technicolor, multi-faceted and visceral; the swansong at the end of the apocalypse just as humanity finally perishes in an arduous battle. There are simply too many elements of the song to describe in words – you have to hear it with your own two ears – but we’d like to highlight in particular the driving bassline and Philippakis’ vivid vocals.

You may notice that, in the course of this review, we didn’t focus too much on the lyrics. That’s not to say that they are not important or well-written; they are both of these things. It’s just that the force of the instrumentals on this album outweighs everything else.

As Foals themselves have stated, Everything Not Saved Will Not Be Lost is two-piece locket. The two albums, when considered together, paint a picture of a Mad Max-style apocalypse: broken, wild but exciting in its own way. Both albums are great, but it’s with Pt 2 that Foals really stick their landing. And for that reason, Everything Not Saved Will Be Lost Pt 2 is probably their best album so far – and maybe even one of the best albums of the year.

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