Tag Archives: pharoah sanders

Floating Points, Pharoah Sanders, London Symphony Orchestra – Promises

10 Apr

There’s no shortage of high-powered collaboration in music and there’s such a range of them that it’s hard for anything to really take one by surprise, but you don’t come across a trio of producer, saxophonist and orchestra everyday. You don’t come across an album this good everyday either. The three meld beautifully. It feels like the intersection of three separate strains – the ambient production of something like Green by Hiroshi Yoshimura, the nature-inspired classical music of compositions like Vivaldi’s Four Seasons and the spiritual jazz of people like Sun Ra and John Coltrane, both of whom Pharoah Sanders played with.

The album evokes lush, verdant scenes whether through Floating Points’ productions as in “Movement 7” or the Orchestra in “Movement 6.” This is not the jungle, because the jungle lacks the intensity of this music. The colors of these soundscapes are too bright, too intense to be nature. They instead capture the feel of nature at its most immersive and leave you with nothing to distract from it. It is that first moment of experiencing a new vista made into a full album.

It’s filled with detail though. The refrain that ripples throughout the album is distinctive and beautiful. It’s wonderfully open-ended and accents the ambient music very cleverly. You can also feel the presence of many different organisms in the music. There are little flourishes of background hollering and chirping that enliven the music and add depth.

It’s the saxophone that really brings the human element to this album though. Sanders’ jazz comes in hot and adds that heat to what might otherwise be a very austere album. He even vocalizes in “Movement 4” and that integrates beautifully with the ripples of the music. He doesn’t go for the sheets of sound you might expect, but instead plays pure, drawn-out notes that express so much in their tone. When he comes in at the 7th minute of “Movement 7” with a sax scream, it’s the perfect way to agitate the existing music. Pharoah Sanders brings such a strong voice to this collaboration and his saxophone is the most noticeable thing here.

This an astonishing addition to some of the more storied careers in music history, a very individual album and music of the absolute highest tier.

Joey DeFrancesco – In the Key of the Universe

14 Apr

There’s a lot to recommend in In The Key of the Universe. The musicians are all clearly highly skilled and it’s a very pleasant album to listen to. Unfortunately though, it lacks the spark that the best jazz albums all possess.

The album never quite falls into easy listening. It is traditional jazz, but just a little too familiar with resolutions that are a little too predictable.  Pieces like “Easier To Be” and “Inner Being” in particular are guilty of this. The entire album functions well in the background while you try some taxing work, but I want to see more from an album like this.

That is not to dismiss the entire album. The opening of “Vibrations In Blue” has a lot going on in a way that reminds me of some of my favorite Herbie Hancock compositions. The sax work in “The Creator Has A Master Plan” is similarly engaging (and surprisingly provided by the great Pharoah Sanders), even if the vocals in that song substantially jar. The tranquility of “A Path Through the Noise” wholly justifies the name. There’s so much undeniable virtuosity in this recording, but it just never stretches itself.

There’s a strong clarity to this album that makes it distinctly approachable and it’s a charming listen no matter your experience with jazz. It skews too far to the traditional though and lacks the fire and inspiration that would truly let it distinguish itself in a world already full of this strain of jazz.

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