Tag Archives: new artist roundup

New Artist Roundup: May 2021

1 Jun

We are back with another edition of our New Artist Roundup feature! Thank you so much to all the artists that submitted music to us over the past few weeks. It’s getting tougher and tougher to choose just five from all the great submissions – and we couldn’t be more excited about that!

Interested in getting featured in our next New Artist Roundup? Don’t forget to email us your music at artists.tfr@gmail.com!

“Golden Sophism” by Glasgow

“Golden Sophism”, released in late April, is the debut single from Puerto Rico-based indie rock band Glasgow. Lead singer Marcos Del Moral has a crisp yet lackadaisical voice, with an almost sing-song quality – evoking the vocal styles of The Killers, Passion Pit and other indie darlings. With its upbeat drums, funky bells and whistles, and surf-rock guitars, “Golden Sophism” is an instant foot-tapper. If you liked this track, be sure to check out the next release from Glasgow entitled “Claire”, out May 28.

Links

“Winter Love” by Abhibyanjana Rubhi feat. Peeyush Nepal

“Winter Love”, from Sikkim-based singer-songwriter Abhibyanjana Rubhi Thatal, is a guitar-driven track with a surprisingly lush production. Abhibyanjana describes her musical state of mind as “a perpetual state of dreaming”, and it’s easy to see that on this track. “Winter Love”, featuring fellow Sikkimese singer Peeyush Nepal, is a pleasant, bright track that does justice to Abhibyanjana’s resonant vocals. The young artist has an EP coming up later this year, and we’ll be keeping an eye out for that.

Links

“Daisies” by Raye Robinson

“Daisies”, released on May 7, is the debut single from Los Angeles-based singer-songwriter Raye Robinson. The track features Robinson’s breathy, crystal-clear vocals that are reminiscent of Gen Z superstar Olivia Rodrigo. The sharp production alternates between simple piano chords and bouncy bass-heavy beats, for an effect that the artist describes as somewhere between Lily Allen and Billie Eilish. “Daisies” is about overthinking after a break-up: “I couldn’t stop wondering ‘Does he miss me too? Does he hate me now?… I immediately loved using the word ‘daisies’ in the hook, and from there the rest of the song came together pretty quickly!” she explains. For a first single, this is a great start – excited to see what else is on the horizon for Raye.

Links | Press

“Feedback” by BINNY

The first time we heard “Feedback” (released May 6) by Maryland-based artist BINNY, we were a little taken aback by the production value – in a good way. The song was described by the artist as “hyperpop”, and it is admittedly quite an effective term for this smooth, catchy bop. From the opening few seconds, “Feedback” bustles with thick synths, driving bass and BINNY’s made-for-clubs vocals. BINNY has described the track as “a sexy and playful song about being receptive to love and needing that feedback to feel confident”, and his Britney-meets-Gaga vocal style exactly matches that lyrical sketch. The song was produced by Zhone, who has worked with up-and-coming artists like Slayyyter and Chaos Chaos.

Links | Press

“Bloom” by R.I.Pablo

If you pay a visit to R.I.Pablo’s Internet presence, you would likely get an image of a young, brand-new artist making his initial foray into music. But dig under the Pablo Navarro stage name, and you’ll find that this is actually the project of one Pablo Bowman – a prolific UK songwriter with hundreds of songs under his belt, for musicians like Bebe Rexha, Little Mix and Anne-Marie (including the mega-hit “Friends”). “Bloom”, the debut single from R.I.Pablo (May 12), is a hazy, synth-heavy bop that melds the line between R&B, pop and hip-hop. What’s most remarkable is the judicious use of Auto-Tune – an artistic choice so often reviled, but here used to great effect to elicit a dream-like, glitchy experience.

Links

Interested in getting featured in our next New Artist Roundup? Don’t forget to email us your music at artists.tfr@gmail.com!

New Artist Roundup: Apr. 2021

5 May

Welcome to the our New Artist Roundup for April 2021! Below are five songs from up-and-coming artists that caught our eye this month, so be sure to give them a listen. And of course, if you’d like to be featured, be sure to email us at artists.tfr@gmail.com.

“FUZZY” by Bandicoot

To us, Swansea four-piece Bandicoot’s music sounds like the point at which the rockabilly sensibilities of the 50s and 60s merged with the glam rock vibes of the 70s. After putting out two tracks (2021’s “Dark Too Long” and 2020’s “O Heavens!”), the band is back with a new track called “FUZZY”, released on April 9th. “FUZZY” is catchy, wild and brimming with energy: the kind of track that immediately causes some part of your body to start tapping along to the beat. If you happen to live in or near Wales, be sure to catch their upcoming festival dates in July and October – this is definitely an act to catch live.

Website | Label | Press

“Morning Sun” by M. Byrd

With over 200,000 monthly listeners on Spotify, M. Byrd is definitely not a “new artist” for many people around the world. However, we were glad to be introduced to the artist’s indie folk music this month, particularly his new track “Morning Sun” – released on April 16th. Byrd describes the song as a morning mantra, a kind of a musical manifestation of how he starts his day. “The idea came to me a few years ago in the morning right after I got up and it came back to me subsequently over and over again, like a kind of entry into meditation, until I finally recorded it and arranged it into form,” he says, and we can see what he means. With its gentle guitar strums and his crooning voice, almost reminiscent of the late Elliott Smith, the song is a great accompaniment to one’s morning coffee. If you liked this track, be sure to check out his other song, 2020’s “Mountain”.

Website | Press

“Third Eye Witness” by Scott McKeon feat. Gavin Conder

We admit: Scott McKeon is the furthest entry on this list from being a new artist. We had first heard of McKeon from his feature on Spotify’s highly-popular Modern Blues Rock playlist, where this track was wedged somewhere between the Black Keys, Gary Clark Jr., and other blues mainstays. McKeon is an established sessions guitarist, playing with everyone from Lana Del Rey to Ed Sheeran to Sir Tom Jones, and has put out a couple of albums under his own name and under other bands over the past 20-odd years. McKeon’s third full-length album New Morning, on which “Third Eye Witness” is featured, was released on April 23rd and we didn’t want to miss out on the opportunity to highlight this great talent. The song – with McKeon on guitar and Gavin Conder on vocals – is a groovy, chill track that would be perfect to play on a Sunday morning. And don’t miss the dizzying guitar solo from McKeon about 2/3 of the way through. If you liked this song, be sure to check out the rest of New Morning: the album was apparently recorded mostly on the first take, and you can hear that spontaneity throughout the record.

Website | Press

“Get Up” by Sesame Girl

Canberra pop act Sesame Girl is exactly one song old – having released this very track on April 14th – but they show promise in our eyes. The song is buoyed by the contrast between the happy-go-lucky instrumentation and the lead singer’s melancholic vocals – like looking wistfully back at a childhood memory that, in retrospect, was probably the most fun you’ve ever had. Sesame Girl already caught the eye of Australian tastemakers Triple J, so good things are probably in store for the young band. Keep your eye on this one!

Instagram

“Hopelessness of Love” by Waiting for Smith

Waiting for Smith is the stage name for British singer-songwriter Harry Lloyd, who named his act after perpetually waiting for his (presumably ex-) drummer Smith. Lloyd makes lovely, light music that you would have probably heard on your local radio and (in the pre-Shazaam days) waited for years until you serendipitously find it again. “Hopelessness of Love” – released April 29th – is a sweet 3-minute ditty about fighting through a relationship’s rough patches. “It’s about the inevitable collision that happens in any relationship, there’s ups and there’s downs – that’s just life. We can’t fight the hopelessness of love but we can find a way to accept it and use it to become our strength,” explained Lloyd. Overall, this was a sunny, bright introduction to Lloyd’s music and we’ll certainly be back for more.

Website | Press

Interested in getting featured in our next New Artist Roundup? Don’t forget to email us your music at artists.tfr@gmail.com!

New Artist Roundup: Mar. 2021

29 Mar

Hello, and welcome to a brand-new feature here at Top Five Records! Today, we wanted to dive into five great songs that we’ve heard from new artists who have submitted music to us from all over the world. Without further ado, here’s our inaugural New Artist Roundup from Top Five Records!

Interested in submitting music to us? Please email us at artists.tfr@gmail.com.

“Stuck Pig” by EIN SAM

EIN SAM is a young electronic musician based out of Bristol, UK with three songs so far under his belt. The second of these tracks, “Stuck Pig”, was released at the start of the year. The track features a meandering bassline and slow-paced drums that form a great foundation for EIN SAM’s deliberate vocal style. The song itself is, in the artist’s own words, “about inner and outer divisions”, and he does well in portraying that through his lyrics about being neither here nor there (see lyric video above). The song’s fuzzy psychedelic rock gives us vibes of Mazzy Star, so if that’s your cup of tea, be sure to give this a listen.

“Letters” by Metro

Metro is a young four-piece band hailing from Palo Alto, California. “Letters”, the band’s second song so far, starts off with dreamy instrumentals that are joined by singer Marina Buendia’s folksy, quivering vocals. The entire song is built on a concept of personified Winter and Summer writing letters to each other, and kudos to Metro for making that seem much more quaint than you’d expect. The band’s dream-pop vibes sound like a sweeter, stripped down version of Tame Impala – not bad for a bunch of teenagers. If you liked this track, you can check out their first song “Her”.

“Sinners” by Gede

Washington D.C.-based Gede makes music that defies neat little genre boxes. Gede describes his own music as a combination of big beats, distorted guitars, bass and much more, and cites artists as diverse as Tame Impala and Gary Clark Jr. as his inspirations. “Sinners”, from his 2021 album Forward, is a great example of that. The track features Gede’s contemporary rap bars set against electric blues-rock – with jazzier interplays that could easily feature on, say, a heist movie montage. If you liked this track, you should definitely give the rest of the new album a spin.

“Angel Follows Me Out” by Gallery 47

British musician Gallery 47 (real name Jack Peachey) makes introspective, acoustic guitar-driven music reminiscent of folky artists such as Elliott Smith or Nick Drake. His latest track, “Angel Follows Me Out”, is a two-and-a-half minute ditty with pretty acoustics that play well with the quiet, melancholic vocals. The song really focuses on the deft guitar work with not more than four to five sentences of actual lyrics; but the end result is a clean, simple but haunting piece of music. If you liked that track, then you’re in luck: Gallery 47 is a highly prolific musician with four (!) albums in 2020 alone.

“Space” by Nuela Charles

Canadian singer-songwriter Nuela Charles has been slowly making a name for herself since her debut album Aware (2012). Her sophomore album, The Grand Hustle (2016), featuring the slow-burning pop track “Crumbling Down”, was even nominated for the JUNOs (the Canadian equivalent of the GRAMMYs), and she’s garnered numerous awards and charting positions in her native Canada over the years. Charles’ signature sound seems to be contrasting her silky-smooth vocals – think Ariana Grande or our new fav Celeste – against a big-band bass, horns and drums type of production. Her latest single “Space” (created with Juice WRLD producer her Don Mills) falls squarely in this niche. Much like Grande’s “NASA”, space here refers to the physical and emotional distance between Charles and her lover, except as a twist, it seems like Charles is the one trying to pull the other person back in (“I don’t need space / you told me you needed space”). Great entry point into a singer that is bound to break big very soon.

Interested in submitting music to us? Please email us at artists.tfr@gmail.com.

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