Tag Archives: immanuel wilkins

Immanuel Wilkins – The 7th Hand

8 May

There’s a lot to like about The 7th Hand. The music is immaculate. There is obscene skill behind the whole thing. There are moments of transcendence. For all of its strengths though, it is just short enough of challenge to mire the whole album.

It oscillates quite sharply between pleasant and aggressive throughout and in the opener “Emanation” you have some very energetic sax work followed by a relaxing piano solo. They both end up flat however. The sax starts strong and is played very well, but it lacks challenge and ends up going nowhere you wanted to visit. The piano solo is a little off-kilter but needed to be fully askew. It’s the same story in “Lift.” There’s a lot of sound and fury, but it’s ends up signifying nothing.

Sometimes, the album takes a turn more towards the pleasant, such as in “Fugitive Ritual, Selah” and it does it well. It may have done better with stronger focus on that side, but that does nothing to help the lack of challenge.

The 7th Hand has moments though. The opening of “Witness” evokes a deep, verdant, arboreal scene and thread some ominousness through it to great effect. These moments just are not enough to lift an album that can never quite escape falling flat.

Immanuel Wilkins – Omega

14 Dec

This is the kind of jazz album that I love to review. You can’t get away from the fact that jazz is forbidding. The more that you give to jazz, the more that jazz gives back to you and so it can be hard to start. That’s why albums like Omega are so great to see, this is the kind of album that can start the virtuous cycle of jazz. It’s approachable, it’s very listenable and yet still smart and able to reward any kind of listener.

Despite simple, accessible foundations, the tracks quickly become clever, intricate pieces. “Warriors” opens the album in a very straightforward way, but then goes into a lovely, thought-provoking piano solo. It’s in the next song though that Immanuel Wilkins really takes flight. “Ferguson – An American Tradition” is fiery and filled with agony. It returns to a simple, but stimulating off-kilter refrain about 6 minutes in that gives a bit of respite from the emotion of the rest of the track, but ends with a heartfelt cry of pain. It’s a magnificent statement and, after “The Dreamer” as a nice bit of softness in between, the album goes into further injustice with “Mary Turner – An American Tradition.” This is a more muted track than “Ferguson,” but persistent. About two and a half minutes, there’s a straining horn that’s excellent and then returns to the persistent noodling of before and that journey makes for a very powerful statement. The song suffers a little from my one complaint with this album, I would have liked to see the musicians cut free a little more and really push their ideas as far as they would go, but this is a minor quibble and a choice that brings benefits as well.

This is not an opinion that you should let cut too deeply though. This is a very clever album. “Grace and Mercy” is delicate and soothing, but has a flair for the unexpected. It’s quick to surprise and filled with sharp ideas. “Saudade” is a nice shot of energy and change of pace. “Guarded Heart” both demands and rewards attention. It has aggressive saxophone riffs that are compelling and clever and a wonderful, minimal ending.

If you’re looking to pick up a recent jazz album, this is the one you should look to. If you’re new to jazz, this is a great place to start with. It’s just easy to appreciate that this is very good music. If you can invest in it though, it pays you back in spades. I highly recommend you give this a spin.

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