Tag Archives: ariana grande

Monthly Playlist: Sep. 2019

1 Oct

We’re back with another edition of Monthly Playlist! Read on to see the five songs that caught our gaze this month:

5. “Whitsand Bay” by Metronomy

Whitsand Bay” is an interesting track from English electronic five-piece Metronomy’s sixth studio album, Metronomy Forever. There seems to be a duopoly of emotions at play here. On one hand, the upbeat cymbals and pulsing bass line march the song snappily along. On the other, the melancholic, slightly-above-mumble-volume vocals cast the mood down. What results is an engrossing, vivid landscape of sounds that really catches one’s attention from first listen. Metronomy Forever released earlier this month – do give it a whirl.

4. “Context” by Temples

We’ll admit, we hadn’t heard of English rockers Temples before “Context”. However, through the inscrutable power of Spotify playlists, we were sent this song on a silver platter, and we are now converts to the cause. On “Context”, Temples present a dreamy, slow-burning sound that lies somewhere between Tame Impala and the Beatles. And as you may expect from that description, the song offers its fair share of mysticism. “Fool, carry the wise / Are you divine?” goes the catchy chorus, before delving into a more mysterious couplet: “Are you afraid of being defined? / When you put it context, it makes sense.” Not sure that it does – but this is definitely a great track, lyrics aside. Temples’ third album, Hot Motion, released earlier this week; be sure to check it out if you liked this song!

3. “Psycho” by slowthai and Denzel Curry

From the first few seconds of the song, it’s easy to see where “Psycho” gets its name. Ghastly squeals clash maddeningly against what seem to be a pulp-horror-movie soundtrack, spurring the listener into palpable chaos – and that’s even before a word is said. Great production meets some knife-sharp verses on this ripper of a track from British rap star slowthai and American rapper Denzel Curry.

 Our favorite line on this track, from slowthai’s verse, is a kaleidoscope of emotion: “Spliff is exhaust, I put your friend in the morgue / Olympics, I run with the torch / mum should’ve pressed the abort”. In just one sentence, slowthai veers from braggadocio about a giant spliff (which can be used as an Olympic torch shortly after putting someone to death to boot) to unapologetic self-hatred; it’s either madness or genius, and the line between those blurs quite often. “Psycho” is an exhilarating roller-coaster, and we highly recommend. (Also, if you liked this track, do check out our review of slowthai’s debut album.)

2. “Don’t Call Me Angel” by Ariana Grande, Miley Cyrus and Lana del Rey

Regular readers of Top Five Records are well-aware of our enduring love for saccharine (but immaculately-produced!) pop songs; the likes of Ariana Grande and Marina & the Diamonds have long entranced us. Well, we are unashamed to proclaim our love for this song from the upcoming Charlie’s Angels reboot (which we are sure will be a flop – our love of the saccharine sadly does not extend to the silver screen).

Each of the three superstars on this track excel with a memorable, iconic verse. The merry-go-round-gone-awry sounds at the outset make way to a characteristically-husky verse from resident bad-girl Miley Cyrus – say what you will about her, but girl’s got killer attitude. Ariana Grande churns out an effortlessly powerful verse. Lana del Rey, in the limelight recently due to a fantastic new album, brings up the rear with a heady, R&B-tinged section.

The stand-out star on this track, though, is not Ariana nor Miley nor Lana – it’s the production. The three ladies’ styles and tones are seamlessly matched, both with each other and against a beat that just slaps. It’s a great track.

1. “The Runner” Foals

Foals have been blessing us time and time again this year. The Oxford four-piece rock outfit released a fantastic fifth studio album, Everything Not Saved Will Be Lost – Part 1, just months ago (read our review here); and, happily, the second part of the double-album is set to release in October this year. “The Runner” is the first song from the upcoming album – and judging from what we have here, it looks like 2019 is truly Foals’ year.

From the hard-hitting opening riff to lead singer Yannis Philippakis’ ringing vocals, “The Runner” is pure Foals through and through. Like almost all Foals songs, the song is meticulously arranged – each layer of each section seem to be exactly where it needs to be. Philippakis’ wandering, emotive chorus is especially well-placed against solidly-measured drums and guitars.

In our opinion, Foals have been underrated on the global scale their entire career. While they’ve been fairly well-recognized in their native England – thrice-nominated for “Best Album” at the prestigious Mercury Prize awards – it’s a shame that they don’t enjoy the same household-name status everywhere. Hopefully, with the double-wallop of Everything Not Saved Will Be Lost, Foals will make their mark in indelible ink.

Monthly Playlist: Feb. 2019

1 Mar

Last month, we started a new feature here at Top Five Records: a run-down of the top five songs from every month. We heard from quite a few of you that you loved it – so without further ado, here’s our list for this month!

5. “Body Chemistry” – The Drums

Don’t let the unrelenting bassline on “Body Chemistry” fool you into thinking it’s a harmless, upbeat bop. On this new track from the NYC-based indie-pop band The Drums, lead singer Jonathan Pierce provides a peak-millennial take on anxiety, romance, and the crippling self-awareness in between. “I know some good luck, and a good fuck, a nice glass of wine and some quality time is gonna make you mine,” he acknowledges, “but it’s not what I’m trying to find.” The song itself reminds us of some of the best tracks on Spoon’s last album, so that’s always a good thing as well. The Drums are set to release their fourth album in June.

4. “In the Capital” – Rolling Blackouts Coastal Fever

Melbourne-based pop-rock quintet Rolling Blackouts Coastal Fever (there’s a mouthful!) had a very well-received debut album (Hope Downs) last year. Their sound is essentially a cross between the woe-is-me melancholy of Deerhunter and the sparkling pop of Real Estate – but it’s not as odd a combination as you would think. “In the Capital”, a new track that was released earlier this week, apparently came about as lead singer Fran Keaney was swimming. “I can’t neatly describe it, but something like connection despite distance. I was thinking about transience and water and death and big cities and fishing towns and moon river,” he says. Have a listen for yourself – we think he’s got it down spot-on, actually.   

3. “Fast Times” – Albert Hammond Jr.

Albert Hammond Jr.’s third full-length album, Francis Trouble, won us over last year with its boisterous yet clean-cut vibe. With “Fast Times”, Hammond is back with a track that is equal parts nostalgic and melancholic. “I was over there, completely unaware / It was me, that you saw / How little did I know / All the things would go,” Hammond sings, wistfully reminiscing about carefree days long gone. The music is of course immediately evocative of the early 2000s-heyday of crisp, fast-paced rock, for which Hammond’s past (and present!) band, the Strokes, were a primary driver. After “Fast Times”, we’re certainly keeping an eye out for more music from Hammond.

2. “GummyBear” – Mini Mansions

Mini Mansions are an LA-based three-piece band comprising The Last Shadow Puppets’ bassist Zach Dawes, QOTSA bassist-turned-singer Michael Shuman and Tyler Parkford. If that line-up sounds like the band would make fun, bass-driven tracks that could fit well within Humbug-era Arctic Monkeys, you are exactly right. In fact, Mini Mansions are just coming off of a supporting tour on that band’s North America leg, and something great seems to have rubbed off of on them. “GummyBear” is an instantly accessible dance-rock track about a love-hate relationship (“Boy, I thought you was sweet, girl, but you’re just sugar-free”). Mini Mansions plans to release their third full-length album, Guy Walks into a Bar… in July – look for them!

1. “NASA” – Ariana Grande

This month, Ariana Grande released thank u, next, her much-awaited follow-up to 2018’s blockbuster hit, Sweetener. New converts to Arianaworld, such as yours truly, were skeptical that a brand-new album mere months after the monstrously successful Sweetener could live up to the hype that Ariana has created for herself. However, those thoughts can be laid to rest and buried under six feet of earth, because Ariana is almost definitely the new queen of pop music.

The title track from the new album, of course, has been in constant rotation on radio stations and Spotify playlists since late last year, but there are actually a shockingly high number of other great songs on there, too. The best of these, in our opinion, is “NASA”, a space-themed ode to modern romance. “I’d rather be alone tonight / You can say ‘I love you’ through the phone tonight,” she says, an on-the-head flip of decades of popstars who’ve told us that they need to be around their men 24/7. Of course, being an Ariana track, there is also a maddeningly catchy chorus – this one involving a playful spell-out of the titular government agency. We’d be surprised if this song alone doesn’t play a part in raising the brand value of NASA.

Read our full review of thank u, next here.

%d bloggers like this: