Tag Archives: disco

Jessie Ware – What’s Your Pleasure

14 Aug

Pop singer-songwriter Jessie Ware is familiar to most English audiences. Her debut album Devotion (2012) straight away bagged a nomination for the Mercury Prize, won that year by fellow Brit pop act alt-J. That album introduced listeners to Ware’s powerful voice, typically set against hefty drums and assertive synths. Subsequent albums Tough Love (2014) and Glasshouse (2017) followed the same theme, resulting in fantastic singles such as “Tough Love” and “Midnight”.

This June, Ware released What’s Your Pleasure, her fourth album – and undoubtedly her best. Over 53 minutes, Jessie Ware takes us on a journey back in time to the peak-disco world of late 70s, as epitomized by dance clubs like Studio 54. What’s Your Pleasure finds Ware at her freest – less bound by the rules of commercial pop music – and the result is a bold, highly enjoyable dance-pop extravaganza for the ages.

When we say dance-pop, we aren’t kidding. What’s Your Pleasure is filled to the brim with 70s-inspired dancefloor gems. Disco is, of course, the theme du jour among pop stars, but Jessie’s interpretation is slinkier than Dua Lipa, more refined than Lady Gaga and more inspired than Doja Cat.

From start to end, the album centers along the same few years – perhaps 1972 to 1978 – but manages to capture all the subtle nuances of that era. The album kicks off with “Spotlight”, which opens with a dreamy, vocal-heavy section in line with Jessie Ware of old – but then jumps right into the unmistakable disco synths that color the rest of the album. “Ooh La La” opens with a fat bassline that could soundtrack the entrance of a glamorous socialite into a plush dancefloor. A couple of songs later, “Save A Kiss” goes into the house music arena with a head-spinning beat, tempered by electronic blips and dramatic violins. “Read My Lips”, with its electric-guitar licks and distant synths, is pure flirty fun all the way through.

Lyrically, much of the album deals with obsession in all its facets – longing, lust, sex and sometimes just romance. Ware introduces the theme right at the start with “Spotlight”: “If only I could let you go, If only I could be alone / I just wanna stay, In the moonlight, this is our time in the spotlight”. “Adore You”, the first single off the album, is sweeter. “Stay ’cause I want you / We can tell everybody, tell everybody,” she suggests, perhaps the starting notes of what will soon become an unhealthy obsession. “Mirage (Don’t Stop)” is her paean for the morning-after: “Last night we danced, and I thought you were saving my life,” she confesses.

Both musically and lyrically, the album really hits its peak on the eponymous “What’s Your Pleasure”: a fast-paced, riveting, instant-classic disco hit that’s honestly one of the best songs of the year.

Recently, fashion godfather and Vogue legend Andre Leon Talley released an auto-biography entitled Chiffon Trenches. In the book, Talley describes his life through the fashion world in the past half-century, especially underlining the carefree, lascivious few years in the 70s between the sexual revolution and the AIDS wildfire. Jessie Ware’s What’s Your Pleasure is the perfect soundtrack to this era: confident yet vulnerable, joyous yet filled with longing, but above all – free.

What’s Your Pleasure is an audacious, glittery antidote to this godforsaken year, and we couldn’t be happier that Jessie has bequeathed us with this gift.

Best songs: “What’s Your Pleasure”, “Read My Mind”, “Spotlight”

Dua Lipa – Future Nostalgia

13 Apr

If you were still wondering whether disco has truly made a comeback in 2020, look no further than Dua Lipa’s sophomore album, Future Nostalgia . With a stark departure from the dance-pop sensibilities of her eponymous debut album, Dua Lipa brings her modern spin on retro-fabulous to the table. Yet somehow, it’s not all disco. Lipa has managed to concoct a dance album that simultaneously draws inspiration from three decades of pop music – yet feels fresh, fun and timeless.

Dua Lipa has always been a Cool Girl™. She’s suave, she’s a sharp dresser, and she’s seemingly stolen Lady Gaga’s spot as a pop queer icon (at least until Chromatica drops later this year). Future Nostalgia feels like the first time that she’s dropped the image and just had fun with it, for a change.

If you’re looking for deep lyrical content on this album, then you’re barking up the wrong tree. Most tracks on this album are sexually-charged love songs or radio-pop anthems peppered with cookie-cutter feminist slogans. But there’s no denying that Dua Lipa knows how to make a good pop banger that gets you moving.

The album opens strong with “Future Nostalgia”, a song that clearly spells out Lipa’s thesis statement for the album (“You want a timeless song, I wanna change the game”). “Don’t Start Now” is an upbeat heartbreak anthem, a strange juxtaposition of themes that shouldn’t work, but somehow does – and incredibly well, too. With “Physical”, a dancercise-style synth-pop track, Dua Lipa embraces the retro sound to her advantage. The chorus is a direct reference to Olivia Newton-John’s 1981 hit “Let’s Get Physical”, and she employs a classic 80s song structure, complete with a hand-clapping bridge section. Yet somehow, the track feels modern and light, all while giving you the intense urge to throw on a pair of spandex and (poorly) follow along with a Jazzercise VHS tape.

Out of the eleven tracks on the album, the first ten of them could be individually released as successful lead singles- it’s just one frenetic synth-pop disco dream after the next. The stand-out pieces, though, are neatly nestled in the middle of the tracklist. “Levitating”, an interstellar-themed track with deceptively simple vocal work, sounds like it was copped straight from The Weeknd’s repertoire. Not surprising, since Lipa herself names Daft Punk (along with Madonna, Gwen Stefani and Kylie Minogue to name a few) as one of her muses for her new “retro-futuristic” sound. With the heavy pounding choruses and dreamy verses on “Hallucinate”, Dua Lipa explores Europop, a frequently overlooked relic of the 80s and 90s that hasn’t seen much traction since the Spice Girls era of pop.

That isn’t to say that this album is perfect. “Good in Bed”, a Lily Allen-style bop, has some of the worst rhymes we’ve seen (- bad – sad – mad -), and will incessantly annoy you with how catchy this objectively trashy track is. That’s another bone to pick with Dua Lipa’s work: the vacant lyrical content.  Sure, most pop stars have always stuck to a handful of topics – usually love, romance and heartbreak – but you’d expect something more, thematically speaking, from a modern feminist pop icon like Dua Lipa. However, the one time she does try to explore a different subject matter on “Boys Will Be Boys”, it falls entirely flat. Dua Lipa means well with this number as she attempts to speak up about women’s rights and gender roles, but she ends up putting a sudden and final damper on an otherwise fun, upbeat and perfect pop album.

But maybe, given the state of the world in April 2020, a groovy dance-your-way-through-the-decades style pop album is what we need right now. There’s a reason disco makes a comeback every few years- it’s fun, it’s uplifting, and most importantly it’s infectious! Dua Lipa has truly perfected the art of a perfect pop album. You can throw it on, dance it out and take her advice to heart: “Don’t take yourself too seriously and just have fun with it!”

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