This is undoubtedly the catchiest album that I’ve heard all year. Burna Boy just has that ear for it that you cannot replicate. This is an album that puts you in undeniable motion.
The combination of African sounds and the Nigerian patois that run through it mix cleanly with the just-as-prominent modern pop and rap sounds to make something at once of the future and deeply connected to its roots.
In particular, “Anybody” and “Wetin Man Go Do” pull all of the pieces together perfectly. It’s a sound that’s excitingly novel in all that it brings to the table and again, it’s just very catchy.
It’s a fun album. “Killin Dem” is compulsive and “Omo” is infectious. This is, more than anything, the reason to try it out. “Secret” has the kind of chorus that sticks in your ears long after you’ve pressed pause.
It is hopefully also the sign of Burna Boy’s emergence. This is an album with impressive features. Unfortunately, neither Future nor YG show up that well. Both are just out of place on this and that dissonance is hard to break from. Jorja Smith is excellent though. “Gum Body” has a great verse from her as well as a stand-out chorus and an absolutely wonderful little sax lick in the middle. Similarly, “Secret” has a fantastic chorus and the features help an already great track stand out.
The album does lose pace somewhere around the middle and a few sounds drag for too long, but this is still the most enjoyable album that I’ve heard all year. Also, it has a fascinating aside about colonialism in Nigeria and that kind of thing automatically bumps an album up a rung.
Top Five Records 
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