Archive | December, 2025

Top Five 2025 Reviews I Didn’t Publish Before

31 Dec

Wet Leg – moisturizer

Wet Leg is fundamentally a band that thrives on absurd, catchy songs. It’s a little awkward for a band as cool as Wet Leg but it is nonetheless the engine that makes the whole project go. moisturizer has plenty of catchy, absurd songs like “pillow talk” and “catch these fists.” The chorus of these songs will sneak up on you when you’re distracted in a day and have you repeat them until you scratch their itch. There is, however, nothing quite as infectious as “Chaise Longue.” It’s an album that once exorcized is unlikely to return. It’s still a fun ride while you’re on it.

Kpop Demon Hunters

I really liked both the movie and the soundtrack. I was honestly surprised by how much I liked the soundtrack outside the container of the film. Andrew Choi’s singing stands out. “Soda Pop” was comfortably the song of the summer and “Your Idol” was the song of the movie. “Free” does really well to strip down the song to just him and EJAE and let them shine.

EJAE herself has crafted the big setpieces of the album very well. “Golden”, “Takedown” and “What It Sounds Like” revel in their maximism and so sell the ritual narrative beats that they punctuate which in turn justifies the traditional KPop in a moment where bands like LE SSERAFIM and KATSEYE are redefining the genre.

The soundtrack is really helped by the movie providing both a narrative backbone and the necessary connective tissue. When Rumi sings “This is what it sounds like”, the movie has already provided the stakes. It also provides a strong visual for each song. “Soda Pop” does better for having the candy colored visuals behind it. Now all I need is for them to do the Gorillaz maneuver and create the fully animated bands.

Tunde Adebimpe – Thee Black Boltz

TV on the Radio is still a must-play whenever it shows up on my YouTube page. They’re an eminently likable band and Tunde Adebimpe’s solo project changes none of that. This is dirty, unapologetic rock. It’s tremendous fun in “Something New,” it’s layered and emotional in “Drop,” it’s clean in “ILY.”

It’s unfortunately also too formulaic. There’s a lot of rock that’s done very well here but there’s little that surprises or sticks. It’s still very likable though.

Blondshell – If You Asked For A Picture

There’s a lot to be said for an album that does its job well. The craft of If You Asked For A Picture is impeccable. Blondshell has razors to spare throughout the album. “23’s a baby / Why’d you have a baby?” needs no ornamentation.

They add spectacular, dreamy indie rock to this. “Strange” has very compelling guitar lines and then shifts into an incredible emotional breakdown that all pays off with “I’m sorry for changing.” The two pieces don’t always come together like this. Sometimes, like in “Event of a Fire” and “Model Rockets”, the lyricism makes up for unimaginative music but it’s much more frequent that both sides click at once like in the excellent “He Wants Me.”

If You Asked For A Picture is beautiful dream pop throughout. It’s excellent music and clever lyrics and an unmissable album.

Nubya Garcia – Odyssey

Odyssey ends up disappointing slightly. There are excellent spots in here. “The Seer” has good solos from both the sax and the keys and the percussion puts down excellent fills. “Water’s Path” is beautiful nature jazz. The album as a whole lacks challenge however and so ends up a little unsatisfactory. Neither the groove in “Triumphant” nor the sonorousness of “We Walk In Gold” are enough to make up for how easy both are to anticipate and so the album’s virtuosity is undercut by its mildness.

Five Difficult To Classify Albums From 2025

20 Dec

Amaarae – Black Star

There’s no holding Amaarae back. She’s evolved her sound into rave music and kept going. Black Star has a singular, compelling sound and Amaarae is able to integrate a wide range of artists into the album seamlessly. PinkPantheress is a standout in the excellent “Kiss Me Thru The Phone pt. 2.”

At every step in the album, one clear fact stands out; there’s only one Amaarae. This is her at her most club friendly and I hope that her music takes them over. It’s too good to not hear in the streets.

Sleep Token – Even In Arcadia

There’s a lot in Even In Arcadia. “Provider”, for instance, is very interesting. It’s an emo-rap track but Vessel blurs genre well. The song itself changes pace halfway in. Sleep Token at their best make each song the combination of three or four very different ideas and their ability to stitch these ideas together is incredible.

This comes through most in the magnificent “Caramel.” Vessel’s emotional reflections on fame are a great fit for the music and startlingly honest. He wallows in the contradictions and in the self-pity and it fits really well with both the early trap and the pivot into death metal that the song makes midway through. Vessel absolutely sells the emotion of the track.

Some of the other music is less genre-bending. “Gethesemane” is essentially early 00s alt-rock. The lyrics take emo into comical, probably unintentionally and the music is fine. For four minutes , it doesn’t do anything novel. It does have some interesting percussion after that but the song stays pretty standard. It’s still a decent song, it’s just not the most interesting.

“Even In Arcadia” is also not the most interesting song but the maximalism is done very well. “Damocles” is similarly emo alt-rock but it’s willing to thrash a lot more than its forebears and keeps multiple modes running and that makes it much more compelling. The melodicism of “Past Self” is great and showcases what the band does well.

Even In Arcadia is a spectacular album. I wasn’t thinking about the modern evolution of death metal before now but Sleep Token have exceeded anything I could have imagined with this album.

Nourished By Time – The Passionate Ones

The Passionate Ones is spectacular music. Nourished By Time’s first great strength is his fantastic synth work. They’re varied, textured and atmospheric but above all, they are seductive. It’s wonderfully easy to fall into them. His second great strength is how beautifully his voice complements the grooves.

“BABY BABY” would be the best song Tame Impala ever made and simultaneously drops the line “If you can bomb Palestine / You can bomb Mondawmin.” This is spectacular music.

Dijon – Baby

It’s definitely unfair, but I start with Prince when thinking about BABY. Of all the Prince inheritors, Dijon feels the closest here despite very forgivably having less funk and less fire than one of the funkiest and most fiery pop musicians. He does very well with the Prince cuts too. “Yamaha” is quite a good song.

The album is most interesting when he updates the formula to add modern sounds. “FIRE!” Is excellent for this and “(Referee)” has a strong spikiness. “my man” is maybe the most interesting cut in the album though, not for the innovation, but for the heartfelt singing that grounds the whole project.

Rosalia – LUX

A dirty secret about artists across creative fields is that a lot of them really don’t know that much about the artform. There are writers who don’t read that much, directors who don’t watch films and countless video game designers who don’t play games. Rosalia not only knows music well, she knows herself too.

She pulls expertly from a dizzyingly broad range of sounds. It’s no surprise that the opera in “Berghain” and the fado in “Memoria” are good fits but also in the details like the synth pop that ends the wonderful “Reliquia” or the sweeping strings of the excellent “Porclena” playing against industrial notes.

LUX is clever, it is full of interesting pieces and it is spectacular music. Rosalia really can do it all.