Archive | August, 2021

Emma-Jean Thackray – Yellow

29 Aug

There are some really interesting pieces in Yellow. The chorus of “Third Eye” is a very interesting progression. The haunting in “Spectre” is also very well done. Unfortunately though, the whole doesn’t add up to anything quite so interesting itself. The genre-spanning music here has a lot going for it. There’s plenty of technical skill and some really clever moments, but there’s just not enough to grab attention or really reward it.

“Yellow,” for instance, would fit well on an Erykah Badu album, but not as one of the stronger cuts. The voice is a little weaker than it should be and the music doesn’t do enough. Overall, it’s just not interesting enough. It fades too easily into the background. It’s also not helped by the bog-standard spirituality either. The Hinduism in particular feels like a shallow reading.

Yellow still ends up a pretty decent album though. As it turns out, good jazz is good jazz and this is definitely good jazz.

Vince Staples – Vince Staples

9 Aug

Vince Staples has always felt like the most straightforward person in rap. No matter how honest someone may come across in a song, we only fool ourselves when we think we know the person behind the music. Nevertheless, it just feels like Vince Staples makes fewer concessions to marketing, to a persona than anyone else out there. It comes through in things like putting out a 22-minute album with no weak spots instead of the bloated albums built to top streaming charts that are now de rigeur. It comes through in how much this album just lets him rap.

The thing about letting Vince rap is that he is very good at just rapping. You can see it in “THE SHINING” or “SUNDOWN TOWN” or “TAKING TRIPS” and you can really see it in cuts like “MHM” and “LIL FADE.” His flow and his control are nothing short of superb and are enough to carry an album in themselves.

It’s true that Vince Staples maybe takes that a little too far. I would have liked some more variety or a couple of particularly inspired cuts. There’s nothing here that is less than excellent, but there is also nothing here that truly transcends.

Sometimes though, you can do without the egg in your beer. It’s just such a pleasure to hear Vince rap. Any album that gives you more of that is more than good enough.

New Artist Roundup: Jul. 2021

3 Aug

Over the past few weeks, we’ve had tens of submissions from aspiring young artists from all over the world – thank you! It was a monumental task to pick these out, but here are our top tracks from New Artists for July 2021.

Interested in getting featured in our next New Artist Roundup? Don’t forget to email us your music at artists.tfr@gmail.com!

“The Absence of You” by The Islas

The Islas are a young band from Norwich whose sound is characterized somewhere between the Killers and the Smiths. Their most recent single “The Absence of You” features a gentle, lilting guitar melody that supports Nathan Baverstock’s slightly-nasal vocals quite well, and the song takes an even more Coldplay turn in the upbeat, high-energy chorus. “The single is not really a love-sick song about wanting someone back, just the sensation of feeling empty and realizing that that chapter of your life has gone,” says the band – a feeling to which any young person can relate, no matter their age. “The Absence of You” is the first single from the band’s upcoming 6-song EP Oblivion. Be sure to keep an eye out for that if you liked this track!

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“Generations” by Gede

As eagle-eyed readers may realize, Gede has already been on our radar since our March 2021 edition of the New Artist Roundup, where we loved his electric blues meets rap meets jazz track “Sinners” from 2021 album Forward. The Washington DC-based artist cites a wide array of musical references from Gary Clark Jr. to Tame Impala. He’s now out with another EP, the two-song Generations. The title track from this EP starts off with Latin trap beats that bring to mind a sunny Miami summer, and the rapper’s almost grime-style verses are perfectly produced to sync with the music. “Generations” is a vibrant, catchy song that lies somewhere between Stormzy and Bad Bunny – a tough bridge to connect, but Gede somehow pulls it off.

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“Mercy” by KiNG MALA

KiNG MALA (born Areli Castro) is an up-and-coming singer-songwriter from Los Angeles, California who’s just on the verge of a break-out hit. Spotify listener counts, which often precede mainstream fame, confirm our thesis: this young artist that you may never have heard of has over 350,000 monthly listeners. Her stage name, KiNG MALA, is actually carefully chosen: “Both [her] music and visuals experiment with masculine tropes.. and these masculine threads weave throughout everything [she] does, hence King rather than Queen and ‘MALA’ which roughly translates to ‘bad bitch’ in Spanish,” she said.

A lot of her Internet fame came through her TikTok hit 90s-vibe pop hit “she calls me daddy”, but new track “Mercy” proves that she’s no one hit wonder. This is a lushly produced track that belies her relatively-underground status, with her soft melancholic vocals reminding the listener of Billie Eilish. The song itself is about her mental health struggles with the darker side of herself. “I have said things I will regret forever and every day I search for the good within me and search for the proof that those things are not who I really am. Sometimes all you can do is forgive yourself and look for the good… that’s what this song means to me.”

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“Brand New” by TARYN

TARYN is an Atlanta-based singer-songwriter whose music is influenced by old soul and modern pop, in her own words. “Brand New” is a beautiful track from the clear-voiced singer, beginning with striking finger snaps that transition into lushly produced, warm vocals. TARYN grew up in a music-loving household. Her parents “filled the house with the sounds of artistic greats like Norah Jones, James Taylor, Joni Mitchell, Van Morrison, and Cat Stevens,” and it’s easy to see those influences in her ethereal, timeless yet radio-friendly music. TARYN wrote “Brand New” while driving on the freeway and worked with producer Joey Burcham to turn it into a fully-formed track – and honestly, it’s the perfect feel-good summertime drive song.

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“Headlights” by Sgmaniak

Sgmaniak (pronounced S. G. Maniak) is a hip young artist from New York whose music lies somewhere in the summery sounds of neo-soul jazz. The lovely “Headlights” is the diary of a budding, summertime romance. “We met a club downtown last week… got out at the curb then we got between the sheets,” he describes about their meet-cute. “Laying on the roof under the blood-red skies, I know we just met but I think we might just last…” Ah, young love. “Headlights” is a summery, light track that really showcases Sgmaniak’s lyrical prowess and storytelling ability. This track comes off the artist’s recent nine-song album The Global Heart Awakens.

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Interested in getting featured in our next New Artist Roundup? Don’t forget to email us your music at artists.tfr@gmail.com!

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