Kid Cudi – Man on the Moon III: The Chosen

18 Dec

Like with Lupe Fiasco before him, there’s always the worry with a Kid Cudi album that he’s found a new way to sabotage himself, or even just that he will reuse one of his old methods of sabotaging himself. Man on the Moon III doesn’t use any of his old tics of poor beats or weird idiosyncrasies. It’s Kid Cudi in the space where he’s at his best, and that should be a relief. It’s just a shame that it’s still so boring.

This is at its worst in the centerpiece of the album, “Elsie’s Baby Boy.” It’s built up, it’s got a story, it feels like it’s meant to be something and it does nothing. I’ve heard it many, many times and I still can’t tell you a single thing about it. It just doesn’t stick, and sadly too much of the album follows suit. There’s some forgettable trap and some forgettable rock-tinged rap and some other forgettable music and that’s most of the album.

It’s tempting to say that I’ve just outgrown Cudi and to internalize the problem, but that’s not the problem. The issue is that the songs just don’t resonate the way his best stuff did. He came in as an everyman in a time of rap excess, and now he doesn’t feel human at all. His old stuff can still hit hard. They were honest and that still shines through. MotM3 has none of that. Also, where’s the fun of taking something like “Poker Face” and making that into a beat?

There are moments here. I like the “get it, get it” in the middle of the solid “Sad People.” It’s mostly listenable, albeit uninspired. He’s definitely had worse albums than this, and during some of the low points, I would have killed to have even this. His single with Travis Scott had seemed to signal a shift for Cudi, it had seemed to be his breakout moment, but instead it looks like it was a lone bright spot and not a star taking shape.

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